00:00 – 01:24 | On The Doorstep
01:24 – 02:11 | The Hunters (Extended Edition)
02:11 – 02:58 | In the Shadow of the Mountain
02:58 – 07:08 | Courage And Wisdom
07:08 – 07:30 | The Courage of Hobbits
07:30 – 07:51 | On The Doorstep
07:51 – 08:37 | A Thief In The Night
08:37 – 09:37 | The House of Beorn (Extended Version)
09:37 – 10:09 | Brass Buttons
10:09 – 10:24 | Barrels Out of Bound
10:24 – 11:26 | Old Friends (Extended Version)
11:26 – 13:37 | There And Back Again
13:37 – 17:11 | The Return Journey
17:11 – 18:58 | Dreaming of Bag End
18:58 – 19:24 | The Adventure Begins
19:24 – 20:24 | A Very Respectable Hobbit (Exclusive Bonus Track)
20:24 – 20:42 | The Hill of Sorcery
20:42 – 24:10 | The White Council (Extended Version)
24:10 – 24:24 | Fire And Water
24:24 – 24:49 | Proctector of the Common Folk
24:49 – 25:25 | Radagast the Brown (Extended Version)
25:25 – 27:19 | Kingsfoil
27:19 – 27:44 | The Quest for Erebor
27:44 – 28:05 | An Unexpected Party (Extended Version)
28:05 – 29:42 | Misty Mountains
29:42 – 31:39 | Feast of Starlight
31:39 – 32:17 | Flies and Spiders (Extended Version)
32:17 – 35:11 | Shores Of The Long Lake
35:11 – 36:21 | The Ruins Of Dale
36:21 – 37:18 | Ironfoot
37:18 – 38:08 | The Woodland Realm (Extended Version)
38:08 – 38:54 | Girion, Lord of Dale (Extended Version)
38:54 – 39:27 | Ravenhill
39:27 – 39:59 | The Fallen
39:59 – 43:42 | The Darkest Hour
43:42 – 45:23 | Over Hill
45:23 – 48:03 | Beyond the Forest
48:03 – 50:25 | Axe or Sword
50:25 – 51:20 | Moon Runes (Extended Version)
51:20 – 52:43 | The Hidden Valley
52:43 – 54:38 | The Dwarf Lords (Exclusive Bonus Track)
54:38 – 55:53 | My Dear Frodo
55:53 – 56:16 | A Good Omen
56:16 – 57:56 | Old Friends (Extended Version)
If you want to listen to the mix on a phone or other device, you have to stream it on SoundCloud since it seems to be restricted here on YouTube: goo.gl/TZaizG
* The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as an important precursor to modern ambient music — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition.[citation needed] For instance, the first few bars of Gymnopédie No. 1 consist of an alternating progression of two major seventh chords, the first on the subdominant, G, and the second on the tonic, D.
The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece «painfully», «sadly» or «gravely».
From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps because of John Cages interpretation of them.
* Éric Alfred Leslie Satie (pronounced: [eʁik sati]) (signed his name Erik Satie after 1884) (17 May 1866, Honfleur — 1 July 1925, Paris) was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
An eccentric, Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrician» (meaning «someone who measures sounds») preferring this designation to that of a «musician», after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
A beautiful collection of over 40 piano works by Russian composer Sergei Rachmaninoff. Rachmaninoff was a piano virtuoso, conductor and composer. Some of his works are among the most popular of the Romantic period.
If you enjoyed this playlist and would love to see more then remember to like this video. Also subscribe and tell us in the comments what you thought of this collection and what kind of playlist you’d like to hear next.
Track list:
00:00:00 Prélude, Op. 3: II. Lento in C-Sharp Minor played by Lukas Geniusas
00:04:09 3 Nocturnes: III. Nocturne in C Minor played by Elisa Tomellini
00:08:12 Études-tableaux, Op. 33: VII. Moderato in G Minor played by Zlata Chochieva
00:12:11 Morceaux de fantaisie, Op. 3: V. Sérénade in B-Flat Minor played by Alexander Ghindin
00:15:32 Morceaux de fantaisie, Op. 3: I. Elégie in E-Flat Minor played by Alexander Ghindin
00:20:18 Suite No. 2 in C Major, Op. 17: II. Valse played by Nikolai Petrov and Alexander Ghindin
00:26:34 Moments musicaux, Op. 16: V. Andante sostenuto in D-Flat Major played by Alexander Gavrylyuk
00:29:57 Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto played by Anna Fedorova
00:42:06 Suite No. 1 in G Minor, Op. 5: I. Barcarolle played by Nikolai Petrov and Alexander Ghindin
00:51:00 Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando played by Anna Fedorova
01:03:28 4 Pieces: III. Mélodie played by Elisa Tomellini
01:06:31 Morceaux de fantaisie, Op. 3: III. Mélodie in E Major played by Alexander Ghindin
01:10:27 Moments musicaux, Op. 16: I. Andantino in B-Flat Minor played by Alexander Gavrylyuk
01:17:35 Études-tableaux, Op. 39: III. Allegro molto in F-Sharp Minor played by Zlata Chochieva
01:20:27 10 Preludes, Op. 23: V. Alla marcia in G Minor played by Lukas Geniusas
01:24:12 Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato played by Anna Fedorova
01:35:40 10 Preludes, Op. 23: X. Largo in G-Flat Major played by Lukas Geniusas
01:39:12 13 Preludes, Op. 32: II. Allegretto in B-Flat Minor played by Lukas Geniusas
01:42:19 4 Pieces: I. Romance played by Elisa Tomellini
01:44:18 13 Preludes, Op. 32: XII. Allegro in G-Sharp Minor played by Lukas Geniusas
01:46:46 Études-tableaux, Op. 33: IV. Moderato in D Minor played by Zlata Chochieva
01:49:46 Études-tableaux, Op. 33: II. Allegro in C Major played by Zlata Chochieva
01:52:07 10 Preludes, Op. 23: IV. Andante cantabile in D Major played by Lukas Geniusas
01:56:39 Moments musicaux, Op. 16: III. Andante cantabile in B Minor played by Alexander Gavrylyuk
02:03:04 3 Nocturnes: II. Nocturne in F Major played by Elisa Tomellini
02:07:08 7 Morceaux de salon, Op. 10: II. Valse played by Elisa Tomellini
02:10:26 7 Morceaux de salon, Op. 10: VI. Romance played by Elisa Tomellini
02:14:34 Moments musicaux, Op. 16: II. Allegretto in E-Flat Minor played by Alexander Gavrylyuk
02:17:43 10 Preludes, Op. 23: I. Largo in F-Sharp Minor played by Lukas Geniusas
02:20:43 Suite No. 2 in C Major, Op. 17: III. Romance played by Nikolai Petrov and Alexander Ghindin
02:27:19 Suite No. 2 in C Major, Op. 17: IV. Tarantelle played by Nikolai Petrov and Alexander Ghindin
02:33:41 10 Preludes, Op. 23: VI. Andante in E-Flat Major played by Lukas Geniusas
02:36:20 13 Preludes, Op. 32: V. Moderato in G Major played by Lukas Geniusas
02:39:32 10 Preludes, Op. 23: III. Tempo di minuetto in D Minor played by Lukas Geniusas
02:42:45 3 Nocturnes: I. Nocturne in F-Sharp Minor played by Elisa Tomellini
02:46:10 Études-tableaux, Op. 39: V. Appasionata in E-Flat Minor played by Zlata Chochieva
02:51:35 Études-tableaux, Op. 39: II. Lento assai in A Minor played by Zlata Chochieva
02:57:41 7 Morceaux de salon, Op. 10: I. Nocturne played by Elisa Tomellini
03:02:28 10 Preludes, Op. 23: II. Maestoso in B-Flat Major played by Lukas Geniusas
03:06:02 13 Preludes, Op. 32: XI. Allegretto in B Major played by Lukas Geniusas
03:08:20 7 Morceaux de salon, Op. 10: III. Barcarolle played by Elisa Tomellini
03:13:10 10 Preludes, Op. 23: VIII. Allegro vivace in A-Flat Major played by Lukas Geniusas
03:16:40 13 Preludes, Op. 32: X. Lento in B Minor played by Lukas Geniusas
03:22:04 Piano Sonata No. 1 in D Minor, Op. 28: II. Lento played by Zlata Chochieva
03:30:10 Morceaux de fantaisie, Op. 3: IV. Polichinelle in F-Sharp Minor played by Alexander Ghindin
03:33:55 Études-tableaux, Op. 39: IX. Allegro moderato in D Major played by Zlata Chochieva
Enjoy the best music of Maurice Ravel! A tracklist is below. The pieces which are marked with a star I see as exceptional interpretations.
(click show more)
*0:00 Pavane Pour une Infante Défunte (Pavane for a dead princess)
5:46 «Ondine» from Gaspard de la Nuit
12:13 Menuet from Le Tombeau de Couperin
*17:04 Jeux dEau
22:37 Sonatine 1
26:43 Miroirs #3, «Une Barque sur lOcéan»
33:43 Prelude from Le Tombeau de Couperin
*36:50 Toccata from le Tombeau de Couperin
*40:41 Miroirs #4, «Alborada del Gracioso»
46:57 Piano Concerto in G Major, Movement 2
56:02 Bolero
Quer ouvir estas e outras músicas do canal sem interrupção, 24 horas por dia? Acesse nossa rádio web: zeno.fm/radio-canal-rb
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— Espero que curtam, gostem e compartilhem, pois, assim fazendo nos ajudará no crescimento do canal.
— Aproveito para agradecer, pois graças a vocês passamos dos 7000 inscritos.
— Muito obrigado!
#7KCreator!
@R.B
— Que Deus abençoe a todos! Forte abraço.
*Talvez os direitos autorais, após a publicação do vídeo restrinja a publicação de alguma canção, por isto e se isto vier a acontecer, nos desculpem*.
B.a.r.b.r.a S.t.r.e.i.s.a.n.d — The Ultimate Collection
***Devido ao bloqueio de alguns álbuns do canal pelos direitos autorais não sendo possível a visualização dos mesmos como público, estaremos colocando a descrição e tempo das faixas nos comentários.***
— Espero que curtam, gostem e compartilhem, pois, assim fazendo nos ajudará no crescimento do canal.
— Aproveito para agradecer, pois graças a vocês passamos dos 4000 inscritos.
— Muito obrigado!
#4KCreator!
@R.B
— Que Deus abençoe a todos! Forte abraço.
*Talvez os direitos autorais, após a publicação do vídeo restrinja a publicação de alguma canção, por isto e se isto vier a acontecer, nos desculpem*.
