About this video:
3 hours of Erik Saties Gnossiennes 1-5.
Check-out also the extended version of Gymnopédies 1-3: youtu.be/Y1vGBukbYAo
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00:00:00 Le Onde: No. 1, Canzone popolare
00:00:59 Le Onde: No. 2, Le Onde
00:06:17 Le Onde: No. 3, Lontano
00:11:35 Le Onde: No. 4, Ombre
00:17:13 Le Onde: No. 5, La linea scura
00:21:17 Le Onde: No. 6, Tracce
00:25:20 Le Onde: No. 7, Questa notte
00:31:16 Le Onde: No. 8, Sotto Vento
00:39:08 Le Onde: No. 9, Dietro lincanto
00:44:28 Le Onde: No. 10, Onde
00:47:52 Le Onde: No. 11, La profondita del buio
00:51:49 Le Onde: No. 12, Passaggio
00:57:19 Le Onde: No. 13, Lultima volta
01:01:24 Eden Roc: No. 1, Fuori dalla note
01:06:12 Eden Roc: No. 2, Due tramonti
01:11:28 Eden Roc: No. 3, Nefeli
01:16:49 Eden Roc: No. 4, Giorni dispari
01:22:59 Eden Roc: No. 5, Julia
01:28:03 Eden Roc: No. 6, Fuori dal mondo
01:33:04 Eden Roc: No. 7, Un mondo a parte
01:37:24Eden Roc: No. 8, Password
01:42:31 Eden Roc: No. 9, Exit
01:49:10 Eden Roc: No. 10, The Dark Bank of Clouds
01:52:54 Eden Roc: No. 11, Corale Solo
01:57:05 Eden Roc: No. 12, Sarabande
02:04:39 I Giorni: No. 1, Melodia africana I
02:07:03 I Giorni: No. 2, I due fiumi
02:11:40 I Giorni: No. 3, In unaltra vita
02:17:11 I Giorni: No. 4, Melodia africana II
02:19:33 I Giorni: No. 5, Stella del mattino
02:22:03 I Giorni: No. 6, I giorni
02:28:28 I Giorni: No. 7, Samba
02:32:51 I Giorni: No. 8, Melodia africana III
02:37:27 I Giorni: No. 9, La nascita delle cose segrete
02:42:22 I Giorni: No. 10, Quel che resta
02:47:19 I Giorni: No. 11, Inizio
02:51:18 I Giorni: No. 12, Limbo
02:56:09 I Giorni: No. 13, Bella note
03:01:17 I Giorni: No. 14, Melodia africana IV
03:10:35 Una Mattina: No. 1, Una mattina
03:13:57 Una Mattina: No. 2, Ora
03:22:33 Una Mattina: No. 3, Resta con me
03:27:27 Una Mattina: No. 4, Leo
03:34:12 Una Mattina: No. 5, Dolce droga
03:38:25 Una Mattina: No. 6, Dietro casa
03:42:46 Una Mattina: No. 7, Come un fiore
03:47:28 Una Mattina: No. 8, Nuvole nere
03:52:52 Una Mattina: No. 9, Questa volta
03:56:54 Una Mattina: No. 10, Nuvole bianche
04:02:43 Una Mattina: No. 11, Ancora
04:16:03 Una Mattina: No. 12, The Snow Prelude No. 3
04:17:57 Una Mattina: No. 13, The Earth Prelude
* The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as an important precursor to modern ambient music — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition.[citation needed] For instance, the first few bars of Gymnopédie No. 1 consist of an alternating progression of two major seventh chords, the first on the subdominant, G, and the second on the tonic, D.
The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece «painfully», «sadly» or «gravely».
From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps because of John Cages interpretation of them.
* Éric Alfred Leslie Satie (pronounced: [eʁik sati]) (signed his name Erik Satie after 1884) (17 May 1866, Honfleur — 1 July 1925, Paris) was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
An eccentric, Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrician» (meaning «someone who measures sounds») preferring this designation to that of a «musician», after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Вольфганг Амадей Моцарт (27 января 1756, Зальцбург — 5 декабря 1791, Вена) — австрийский композитор и музыкант-виртуоз. Один из самых популярных классических композиторов, Моцарт оказал большое влияние на мировую музыкальную культуру. По свидетельству современников, Моцарт обладал феноменальным музыкальным слухом, памятью и способностью к импровизации.
В отличие от многих композиторов XVIII века, Моцарт не просто работал во всех музыкальных формах своего времени, но и добился в них большого успеха. Многие из его сочинений признаны шедеврами симфонической, концертной, камерной, оперной и хоровой музыки.
Все великие композиторы и гении классической музыки на одном канале: Шопен, Моцарт, Шуберт, Мусоргский, Бах, Чайковский, Вивальди, Бетховен, Дебюсси и многие другие!
TRACKLIST:
Лучшее из Моцарта
01. Маленькая ночная серенада — Allegro
02. Симфония №40 — Molto allegro (6:06)
03. Женитьба Фигаро — Увертюра (13:36)
04. Турецкий марш (17:44)
05. Концерт для кларнета — Adagio (21:26)
06. Концерт для духовых №4- Rondo — Allegro vivace (28:44)
07. Концерт для фортепиано №21 — Andante (32:20)
08. Соната для скрипки К.378 — Andantino (39:06)
09. Менуэт для струнного квартета (45:46)
10. Немецкий танец (50:01)
11. Clarinet Quintet — Larghetto (53:22)
12. Коцерт для фортепиано №20 — Allegro assai (59:23)
13. Симфония №25 — Allegro con brio (1:07:01)
