Tracklist:
1) Canzone popolare 00:00
2) Le onde 01:00
3) Lontano 06:24
4) Ombre 11:26
5) La linea scura 17:20
6) Tracce 22:26
7) Questa notte 26:58
8) Sotto vento 32:20
9) Dietro lincanto 38:54
10) Onde corte 44:04
11) La profondità del buio 47:24
12) Passaggio 51:28
13) Lultima volta 57:17
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck, Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
The title is misleading: the English Suites are more ‘French’ in character than the French Suites, which are more characteristic of the Italian style. ‘By design the composer is here less learned than in his other suites,’ remarked one early biographer, ‘and has mostly used a pleasing, more predominant melody.’ Just so, and the same is true of the pair of suites BWV 818 and 819 which fall outside the collection but belong with it in terms of style. To all of them Yuan Sheng brings considered tempi and precise articulation in the mould of Tureck. To Bach at his most uncomplicated, Sheng brings the virtues of simplicity and clarity.
Again Yuan Sheng draws the listener into his highly intelligent musical discourse, vibrant and moving, speaking through the medium of a modern Steinway piano.
Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)
0:01 #21 In C Minor, Bi 108
3:10 #20 In C Sharp Minor, Op. 72-2 (Posth.)
7:14 #19 In E Minor, Op. 72-1 (Posth.)
11:33 #18 In E, Op. 62-2
17:30 #17 In B, Op. 62-1
24:31 #16 In E Flat, Op. 55-2
29:52 #15 In F Minor, Op. 55-1
34:45 #14 In F Sharp Minor, Op. 48-2
42:20 #12 In G, Op. 37-2
48:32 #10 In A Flat, Op. 32-2
54:17 #9 In B, Op. 32-1
59:22 #8 In D Flat, Op. 27-2
1:05:11 #7 In C Sharp Minor, Op. 27-1
1:10:40 #6 In G Minor, Op. 15-3
1:14:28 #5 In F Sharp, Op. 15-2
1:18:16 #4 In F, Op. 15-1
1:22:48 #3 In B, Op. 9-3
1:29:36 #2 In E Flat, Op. 9-2
1:33:43 #1 In B Flat Minor, Op. 9-1
Amélie Soundtrack ♥ Le beau monde dAmélie en 1 heure ♥ Le monde fabuleux dAmélie — SoundTrack
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This was a project required to be bellow 30 minutes in length and contain only samples of the songs. I posted this project with the desire to see people engaging in a musical journey by having to search out the songs in their entirety. I also had quite a few previous videos containing Classical music taken down under copyright laws. After looking up these laws I noticed that one may simply provide most of the song without the ending and be able to get away with it. So I hope you enjoy this work and then go out and either buy or download the original music that I have presented here.
Paintings are by Claude Monet.
Music to elevate the soul and exult the divine.These are foretastes of late Frances exuberant Impressionist Composers such as Maurice Ravel, along with Erik Satie, followed by Camile Saint Saens, in close suit Gabriel Faure and no other but the painter of sound; Claude Debussy.
This presentation is graced by the French Impressionist Artist hallowed as Claude Monet, who painted using an array of rich colors during the same time that Mr. Debussy was bent over his mysterious piano.
here is the necessary composition guide: Musical pieces:
0:00 Clare de Lune (Claude Debussy)
1:50 Estampes Pago (Claude Debussy)
3:36 The Snow is Falling (Claude Debussy)
5:52 Preludes Voiles (Claude Debussy)
7:10 Estampes la Soriee (Claude Debussy)
9:00 Gymnopedie 1 — Lent et Douloureux (Erik Satie)
10:48 Gnossienne 1 — Alessio Nanni (Erik Satie)
12:34 Nocturne no. 1 (Erik Satie)
14:24 Ma Mere lOye Pavane Belle (Maurice Ravel)
16:13 Ma Mere lOye Apotheose (Maurice Ravel)
18:01 Une Barque sur lOcean (Maurice Ravel)
19:50 Piano Concerto No. 3 (Saint Saens)
21:39 The Bird House (Saint Saens)
22:47 The Swan (Saint Saens)
24:37 Apres un Reve (Gabriel Faure)