Satsuki Shibano in all her glory, or Erik Satie in all his glory. Either way, these wonderful recordings capture a young Shibano running the full gamut of Saties career. This was Shibanos first recording, and the final part of Satoshi Ashikawas Wave Notation trilogy.

Part 1 (Hiroshi Yoshimuras Music For Nine Post Cards) can be found here: youtu.be/zyY7NU4cbtY
Part 2 (Satoshi Ashikawas Still Way) here: youtu.be/jaWdVJO5H98

Side A:
A1) La Balancoire (Sports Et Divertissements) 1914 — 0:00
A2) Berceuse (Enfantillages Pittoseques) 1913 — 0:59
A3) Caresse 1897 — 5:10
A4) Ce Que Dit La Petite Princesse Des Tulipes (Menus Propos Enfantiins) 1913 — 5:10
A5) 5ieme Gnossienne 1889 — 8:19
A6) Collin-Maillard (Sports Et Divertissements) 1914 — 12:25
A7) Danses De Travers (Pieces Froides) 1897 — 13:19
A8) 2eme Gnossienne 1890 — 18:04
A9) 2eme Gymnopedie 1888 — 20:20
A10) Harmonie 1895 — 22:52
A11) Idylle (Avant-Dernieres Pensees) 1915 — 23:23
A12) Idylle Cynique (Preludes Flasques; Pour Un Chien) 1912 — 24:19
A13) Lui Manger Sa Tartine (Peccadilles Importunes) 1913 — 25:10

Side B:
B1) La Peche (Sports Et Divertissements) 1914 — 27:10
B2) Petite Overture A Danser 1900 — 28:20
B3) Petit Prelude A La Journee (Enfantillages Pittoresques) 1913 — 30:14
B4) Priere 1895 — 31:09
B5) 4ieme Gnossienne 1891 — 32:45
B6) 4ieme Nocturnes 1919 — 36:35
B7) Reverie Du Pauvre 1900 — 39:11
B8) Son Binocle (Les Trois Valses Distinguees Du Precieux Degoute) 1914 — 43:47
B9) Songe Creux 1906-08 — 44:56
B10) Sur Un Vaisseau (Descriptions Automatiques) 1913 — 46:47
B11) Tyrolienne Turque (Croquis Et Agaceries Dun Gros Bonhomme En Bois) 1913 — 48:30
B12 )Vexation 1895 — 50:17
B13) Voix Dinterieur (Preludes Flasques; Pour Un Chien) — 51:54

From the new album by Ólafur Arnalds, «For Now I Am Winter»:

iTunes: smarturl.it/OAiTunes
Amazon: smarturl.it/OAamazon
Vinyl: smarturl.it/Oavinyl

Composer: Ólafur Arnalds
Director: Harald Haraldsson
Producer: Wonwei
Art Director: Erik Parr
Cinematographer: Árni Filippusson
1st AC: Steini Magnússon
Gaffer: Högni Marzellius Þórðarson
Lights: Sigurður Már Davíðsson
Styling: Hulda Halldóra Tryggvadóttir
Actor: Kormákur Krummi Guðmundsson
Special thanks: Sagafilm, Luxor, Hreysti, Hjalti Harðarson

Provided to YouTube by CDBaby

Feel Good (Instrumental) · Broke For Free

Petal

℗ 2014 Broke For Free

Released on: 2014-06-03

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Provided to YouTube by The Orchard Enterprises

Endless Story · Daniel Masson

Universal Sound of Buddha Bar, Vol. 2

℗ 2007 George V Records

Released on: 2007-11-15

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STING — A Touch Of Jazz — 16 Rare Tracks By R

Все видео уроки по Силовым тренировкам на нашем сайте — timestudy.ru
Данная тренировка из цикла POWER.
В самом начале как всегда разминка, только состоящая из двух частей: общая и специальная (усиленный разогрев мышцы ног с применением дополнительного оборудования).
В данном уроке прорабатываем почти все группы мышц: ноги, спина, грудь, плечевой пояс, бицепс, трицепс, ну и конечно же не забудем и про пресс!

Для максимального эффекта дополнительный вес должен быть значительным, помните про это!

Сегодня выполняем комплекс упражнений по стретчингу и подготавливаем мышцы к шпагату!

Provided to YouTube by CDBaby

Summer Spliffs · Broke For Free

Petal

℗ 2014 Broke For Free

Released on: 2014-06-03

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IMAGINE dance — онлайн школа танцев №1 в России. Мы создаём свежие видео уроки, благодаря которым Вы сможете научиться танцевать в домашних условиях, в любое удобное время.

Подпишись на наш инстаграм: instagram.com/imaginedance.online

Бачата для начинающих | Обучение базовых движений сальсы в домашних условиях. Онлайн школа танцев:
Хореограф: Валерия Лебедева instagram.com/lera_swan
Продюсер: Денис Гусев instagram.com/imagine_gusev

Сотрудничество и реклама: imagineproduction.media@gmail.com

About:
The fourteen selections comprising Sacred Treasures III feature music from the Russian liturgical canon recorded in sumptuously reverberant settings by leading Russian choruses. With a state-of-the-art mastering job to fully display the subtle harmonic interplay of the singers, this release offers pure balm for the ear and soul.

The music covers a wide burst of historically important pieces, from ancient Greek Orthodox chant through early 20th Century choral masterpieces of Rachmaninov, plus one modern fantasy setting of Bachs Apollonian masterpiece «Komm Susser Tod» («Come Sweet Death») by Scandinavian composer Gunnar Eriksson.

The collection opens with an anonymous 13th Century Russian «Alleluia,» set in the calmest tradition of the Orthodox service, followed by a «Sourp, Sourp» («Holy, Holy») from the Divine Liturgy. Both are sung by the ST. PETERSBURG CHAMBER CHOIR, directed by Nikolai Korniev. More familiar, perhaps, are the four sections of Rachmaninovs Liturgy of St. John Chrysostom from 1910, sung by the large Russian State Symphony capella. There are three additional sections from Rachmaninovs Vespers collection of 1915, sung by the USSR MINISTRY OF CULTURE CHAMBER CHOIR under Valery Polyanskys direction. Should you know of savage beasts in need of calming, the Kiev Chant «Peaceful Light» (track 10) from Rachmaninovs Vespers will turn away all monsters.

The recording also aims to represent the reverential dignity of the music. Following the traditions of the Orthodox Church, no instruments are sounded — not even bells. Everything about the music and the physical setting in which it is heard is designed to produce a feeling of heavenly peace. The music is never harsh, but rather blends into the richly decorated surroundings, lit primarily by candle light. All of these selections are designed to fit within the soft golden glow of ecclesiastical tranquillity.

Rachmaninovs seven pieces are spread among a variety of other unusual works ranging from the wordless «Chorale» by Josef Ketchakmadze to the little «Serenade» by Rachmaninovs composition teacher, Sergei Taneyev (1850-1915), sung by the LEGE ARTIS CHAMBER CHOIR under Boris Abalians direction in St. Catherines Lutheran Church, St. Petersburg. (Yes, they have Protestant and Catholic churches in Russia.)

Easily the most unusual and unexpected item in the collection is the setting of «The Lords Prayer» by of all people Rimsky-Korsakov. Known for his virtuoso orchestral music, few will expect so deeply devout and reverent a piece from this composer. Although his choral music is rarely performed or recorded, he published several collections of religious texts, as well as 39 superb choral settings of Russian folk tunes. This version of «Our Father» is drawn from Rimskys Opus 22 collection.

Only with the fall of the Iron Curtain ten years ago has much music of this warmly spiritual type made inroads into the Western world. That which has emerged has indeed proven to be a sacred treasury, individual in that it combines spiritual dignity with unabashed human emotion music reflecting aspiration and pure love. All are couched within pure syllabic settings, free of formal counterpoint. While this music offers a high level of artistry, at the same time it refuses to call attention to its internal workings. (When first you encounter Sacred Treasures III, listen to Track 10 and youll hear what I mean.)
— You can buy it here:
heartsofspacerecords.bandcamp.com/album/sacred-treasures-iii-choral-masterworks-from-russia-and-beyond