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Its a rainy night at the worlds greatest wizarding school! This is a great video for relaxation, ambience, white noise, studying, or ASMR!
Provided to YouTube by Warner Sunset/Warner Records
Another Year Ends · Patrick Doyle
Harry Potter And The Goblet Of Fire (Original Motion Picture Soundtrack)
℗ 2005 Warner Bros. Entertainment Inc.
Masterer: Andy Walter
Programming Keyboards: Brian Gascoigne
Synthesizer Programmer: Brian Gascoigne
Assistant Engineer: Chris Barrett
Music Editor: Gerard McCann
Music Editor: Graham Sutton
Synthesizer Programmer: James McWilliam
Conductor: James Shearman
Orchestration: James Shearman
Orchestration: Lawrence Ashmore
Orchestra: London Symphony Orchestra
Producer: Maggie Rodford
Assistant Engineer: Nick Taylor
Mixer, Recorded by: Nick Wollage
Assistant Engineer: Olga Fitzroy
Orchestration: Patrick Doyle
Producer: Patrick Doyle
Music Editor: Robin Whittaker
Synthesizer Programmer: Youki Yamamoto
Composer, Writer: Patrick Doyle
Harry Potter and The Chamber of Secrets/ Original Motion Picture Soundtrack
℗ 2002 Warner Records Inc.
Editor: Jim Harrison
Producer: John Williams
Orchestra: London Symphony Orchestra
Masterer: Patricia Sullivan-Fourstar
Editor: Peter Myles
Masterer: Shawn Murphy
Recording Engineer: Simon Rhodes
Mixer: Simon Rhodes
Chorus: The London Voices
Conductor: William Ross
Composer: John Williams
Youre watching the official music video for Fleetwood Mac — «Dreams» from the 1977 album «Rumours». The new Fleetwood Mac collection 50 Years – Don’t Stop is available now. Get your copy here lnk.to/FM50 and check out North American tour dates below to see if the band is coming to a town near you.
HAUSER performing his favorite classical music pieces with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.
Elisabeth Fuchs, conductor
Special guests:
Choir Zvjezdice
Lana Trotovsek, violin
Petrit Çeku, guitar
00:34 Benedictus (K. Jenkins)
09:05 Pie Jesu (A. L. Webber) feat. Josephine Ida Zec, child soprano
13:00 Ave Maria (F. Schubert)
17:50 Jesu, Joy of Mans Desiring (J. S. Bach)
21:08 Prelude from Cello Suite no.1 (J. S. Bach)
23:40 Panis Angelicus (C. Franck)
28:08 Erbarme Dich, Mein Gott from St. Matthew Passion (J. S. Bach)
36:20 Passacaglia (Handel — Halvorsen)
44:37 Adagio (Albinoni)
51:47 Salut dAmour (E. Elgar)
54:40 Song from a Secret Garden (Secret Garden)
58:28 Mia
My selection of TOP ten best nocturnes from Polish composer (with French-Polish parentage), virtuoso pianist and music teacher Frederic Chopin. All ten little piano masterpieces were tuned to 432 Hz… Enjoy!:-)
The full playlist of nocturnes is following:
1. Nocturne in B flat minor, Op. 9 no. 1 — 0:00
2. Nocturne in E flat major, Op. 9 no. 2 — 5:45
3. Nocturne in F-sharp major, Op. 15, no. 2 — 10:44
4. Nocturne in D flat major, Op. 27 no. 2 — 14:46
5. Nocturne in E flat major, Op. 55 no. 2 — 21:03
6. Nocturne in E major, Op. 62 no. 2 — 26:59
7. Nocturne in E minor, Op. posth. 72 — 35:12
8. Nocturne in C sharp minor Lento con gran espressione, B. 49 (Op. posth.) — 39:12
9. Nocturne in C minor, B. 108 — 43:09
10. Nocturne Oubliée in C sharp minor — 46:23
All music used in this video is opensource and is originally from musopen.org/music. I just made this selection and tuned it to 432 Hz for everybody, who feels it differently as I do.
Please enjoy this great peace of art and let me know, if there is any classical music you want me to edit for you. Ill do my best! :-)
Easily one of the best Chopin recordings ever made.
[Highlights/comments below]
00:00 — Ballade Op.23 No.1 in G minor
09:36 — Ballade Op.38 No.2 in F (A minor)
17:28 — Ballade Op.47 No.3 in A-flat
24:57 — Ballade Op.52 No.4 in F minor
A milestone in the Romantic piano literature, and a stupendous recording of it. The number of great moments in this is probably too great to count (06:48, 08:03, 15:52, 18:40, 24:23, with many more in between, and the entire 4th Ballade is a single unbroken wonder from its miraculous beginning onward — although see the famous passage at 28:36, and the numinous 34:18).
Chopin is — popularly, but not critically — seen primarily as a great melodist, which reputation does him a great disservice. In the Ballades Chopin does something which Beethoven reserved for his sonatas (and which Chopin never did in his), which was to introduce daring and very effective structural modifications to Sonata form. One obvious example of such a novelty is the «mirror reprise», where the two expositional themes appear in reverse order during the recapitulation.
There are many moments of harmonic/stuctural interest in the Ballades, and some of them have become quite famous. I cant possibly go through everything, so Ill try to flag some things out.
— The unusual extended Neapolitan Sixth that opens Op.23.
— The D in m.7 of the Op.23 — it is a subject of considerable debate if this is a harmonic necessity, setting up a late resolution, or an implied pedal point
— Constant metrical changes in Op.23.
— The unusual key relationship between the two main themes of Op.38.
— The abrupt end of the post-recapitulation development section (in itself odd) of Op.38.
— The structural role of the opening gesture of the Op.47. It very clearly recurs near the end, but on cursory examination occurs nowhere else in the piece. (It is not actually difficult, with a bit of thought, to figure out how the opening bars feed into the rest of the piece.)
— The use of dissonances, some passing and some sustained, as an architectural device in op.38.
— The rather surprising combination of variation/sonata form in Op.52 (something Liszt did more conspicuously in his B Minor Sonata.)
— The use of counterpoint as dramatic device in Op.52 at numerous points.
— The rather Beethovenian expected-but-not-actually-there ending in Op.52.
— Chromaticism in the coda of the Op.52 so intense the section aurally drifts somewhere close to atonality.
