0:00 Bellyache
3:07Idontwannabeyouany-
more
6:44 Copycat
10:05 Lovely
12:47 Wish you were gay
17:02 Bury a friend
20:08 Party favor
23:44 Hostage
27:30 Oceano eyes
30:52 Watch
34:10 When the partys over
37:17 Listen
40:25 Six frete under
43:38 The hill
46:14 Limbo
50:12 Shes broken
52:55 Dancing on my own
56:00 Call me back
59:07 See through
1:00:20 lm in love with you
1:02:33 Eres tú
«Wait,» taken from the album Hurry Up, Were Dreaming, is the final episode of the trilogy, the end point of the visual collaboration between M83 and Fleur
Калланетика(Callaneticа) – один из популярных видов фитнеса и система упражнений для похудения для продвинутых людей.Один час таких занятий сравним с семью часами занятий шейпингом или сутками привычного всем фитнеса!
Здравствуйте, я Бовт Наталья и это мой канал NB Fitness. Я дипломированный тренер по фитнессу, с более 15 летним стажем работы. Я всегда развиваюсь, изучаю новые направления в фитнесе и внедряю их в свои тренировки. На моем канале вы увидите видео тренировок с пилатес, каланетикс, стретчинг, фитбол и силовые направления. Мои уроки будут полезны тем, кто хочет в домашних условиях заниматься с профессиональным тренером и усовершенствовать свою фигуру не выходя из дома.
Please enjoy this classic song, I hope this video will be great for studying, sleeping, and relaxing :-)
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About Erik Saties Gymnopédies (from wikipedia):
The Gymnopédies are the first compositions with which Erik Satie tried to cut himself loose from the conventional 19th century «salon music» environment of his father and stepmother. In September 1887 Satie composed three «sarabands» (Trois Sarabandes), taking a quote from Contamines La Perdition by way of introduction. By this time, Satie knew Contamine personally.
Satie apparently used the word «gymnopédiste» (gymnopaedist), before having written a note of his later famous gymnopédies.
The anecdote of Satie introducing himself as a «gymnopaedist» in December 1887 runs as follows: the first time Satie visited the Chat Noir cabaret, he was introduced to its director, Rodolphe Salis, famous for serving sharp comments. Being coerced to mention his profession, Satie, lacking any recognisable professional occupation, presented himself as a «gymnopaedist», supposedly in an attempt to outwit the director.
The composition of the three Gymnopédies started only two months later, and was completed in April 1888.
In August 1888, the «First Gymnopédie» was published, accompanied by the verse of Contamine quoted above. However, it remains uncertain whether the poem was composed before the music, or whether Contamine intended the verse as a tribute to his friend, who had now completed both a set of sarabands and gymnopédies.
Later the same year the «Third Gymnopédie» was published. There was, however, no publication of the «Second Gymnopédie» until 7 years later, with several announcements of an impending publication of this gymnopédie being made in the Chat Noir and Auberge du Clou periodicals.
«Erik Satie: Gymnopedie No 1» (by Kevin MacLeod) Attribution License (incompetech.com)