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About Erik Saties Gymnopédies (from wikipedia):
The Gymnopédies are the first compositions with which Erik Satie tried to cut himself loose from the conventional 19th century «salon music» environment of his father and stepmother. In September 1887 Satie composed three «sarabands» (Trois Sarabandes), taking a quote from Contamines La Perdition by way of introduction. By this time, Satie knew Contamine personally.
Satie apparently used the word «gymnopédiste» (gymnopaedist), before having written a note of his later famous gymnopédies.
The anecdote of Satie introducing himself as a «gymnopaedist» in December 1887 runs as follows: the first time Satie visited the Chat Noir cabaret, he was introduced to its director, Rodolphe Salis, famous for serving sharp comments. Being coerced to mention his profession, Satie, lacking any recognisable professional occupation, presented himself as a «gymnopaedist», supposedly in an attempt to outwit the director.
The composition of the three Gymnopédies started only two months later, and was completed in April 1888.
In August 1888, the «First Gymnopédie» was published, accompanied by the verse of Contamine quoted above. However, it remains uncertain whether the poem was composed before the music, or whether Contamine intended the verse as a tribute to his friend, who had now completed both a set of sarabands and gymnopédies.
Later the same year the «Third Gymnopédie» was published. There was, however, no publication of the «Second Gymnopédie» until 7 years later, with several announcements of an impending publication of this gymnopédie being made in the Chat Noir and Auberge du Clou periodicals.
«Erik Satie: Gymnopedie No 1» (by Kevin MacLeod) Attribution License (incompetech.com)
00:00 Have Yourself a Merry Little Christmas
03:02 Let It Snow Let It Snow Let It Snow
05:44 Winter Wonderland
08:00 Sleigh Ride
10:56 Rudolph the RedNosed Reindeer
13:47 The Christmas Song
16:47 Jingle Bells
19:10 White Christmas
22:11 Frosty the Snowman
24:23 Good Morning Blues
27:38 Santa Claus Is Coming to Town
29:57 What Are You Doing New Years Eve
33:29 Stairway to the Stars
36:23 Santa Claus Got Stuck in My Chimney
39:28 Moonlight in Vermont
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Ella Jane Fitzgerald was born in Newport News, Va. on April 25, 1917. Her father, William, and mother, Temperance (Tempie), parted ways shortly after her birth. Together, Tempie and Ella went to Yonkers, N.Y, where they eventually moved in with Tempies longtime boyfriend Joseph Da Silva.
In 1932, Tempie died from serious injuries that she received in a car accident. Ella took the loss very hard. After staying with Joe for a short time, Tempies sister Virginia took Ella home. Shortly afterward Joe suffered a heart attack and died, and her little sister Frances joined them. Eventually Ella escaped from the reformatory.
In 1934 Ellas name was pulled in a weekly drawing at the Apollo and she won the opportunity to compete in Amateur Night. Ella went to the theater that night planning to dance, but when the frenzied Edwards Sisters closed the main show, Ella changed her mind. Fueled by enthusiastic supporters, Ella began entering — and winning — every talent show she could find. In January 1935 she won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House. It was there that Ella first met drummer and bandleader Chick Webb. Although her voice impressed him, Chick had already hired male singer Charlie Linton for the band. He offered Ella the opportunity to test with his band when they played a dance at Yale University. In mid 1936, Ella made her first recording. «Love and Kisses» was released under the Decca label, with moderate success.
In 1938, at the age of 21, Ella recorded a playful version of the nursery rhyme, «A-Tisket, A-Tasket.» The album sold 1 million copies, hit number one, and stayed on the pop charts for 17 weeks. Suddenly, Ella Fitzgerald was famous. Perhaps in search of stability and protection, Ella married Benny Kornegay, a local dockworker who had been pursuing her. Upon learning that Kornegay had a criminal history, Ella realized that the relationship was a mistake and had the marriage annulled. While on tour with Dizzy Gillespies band in 1946, Ella fell in love with bassist Ray Brown. The two were married and eventually adopted a son, whom they named Ray, Jr.
At the time, Ray was working for producer and manager Norman Granz on the «Jazz at the Philharmonic» tour. Under Normans management, Ella joined the Philharmonic tour, worked with Louis Armstrong on several albums and began producing her infamous songbook series. From 1956-1964, she recorded covers of other musicians albums, including those by Cole Porter, Duke Ellington, the Gershwins, Johnny Mercer, Irving Berlin, and Rodgers and Hart. The series was wildly popular, both with Ellas fans and the artists she covered. Unfortunately, busy work schedules also hurt Ray and Ellas marriage. The two divorced in 1952, but remained good friends for the rest of their lives.
By the 1990s, Ella had recorded over 200 albums. In 1991, she gave her final concert at New Yorks renowned Carnegie Hall. It was the 26th time she performed there. As the effects from her diabetes worsened, 76-year-old Ella experienced severe circulatory problems and was forced to have both of her legs amputated below the knees. She never fully recovered from the surgery, and afterward, was rarely able to perform. During this time, Ella enjoyed sitting outside in her backyard, and spending time with Ray, Jr. and her granddaughter Alice. On June 15, 1996, Ella Fitzgerald died in her Beverly Hills home.
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«Wait,» taken from the album Hurry Up, Were Dreaming, is the final episode of the trilogy, the end point of the visual collaboration between M83 and Fleur
For the first of nine short films for the “Bad” album, Michael Jackson enlists acclaimed filmmaker and director Martin Scorsese and together they create an epic 18-minute tale of urban and racial challenges in the 1980s inspired by the real life story of Edmund Perry. The «Bad» recording is the second of five consecutive No.1 singles from the album making Michael the first artist to achieve this milestone and in 2014 Rolling Stone ranked this short film second on a list of Michaels 20 greatest short films.
Chorus:
Because Im bad, Im bad come on
You know Im bad, Im bad come on, you know
You know Im bad, Im bad come on, you know
And the whole world has to
Answer right now
Just to tell you once again
Whos bad
0:00 Nutridinha 2:33 Isola 7:48 Vaquinha Mansa 11:20 Velocidade 14:35 Cretcheu Di Ceu 20:20 Bia dLulutcha 22:47 Lua Nha Testemunha 28:44 Saia Travada 32:12 Angola 36:33 Sodade 40:12 Besame Mucho 45:07 Ramboia 52:14 Carinha di Bo Mae 55:18 Mar De Canal 59:38 Nha Cancera Ka Tem Medida 1:03:55 Fala Pa Fala 1:08:58 Beijo Roubada 1:11:58 Nho Antoine Escderode 1:16:32 Cize 1:21:21 Velocidade