This is a 2 hour looped version of Gnossienne no.1 by the French composer Erik Satie (1866-1925) and was composed in 1890. The piece is marked Lent — Slow.
The first Gnossienne, alongside the first Gymnopedie has got to be one of the most recognisable and most covered classical pieces of all time — and its no wonder — the composition conjures up so many images — mystery, suspense, dread and even violence are the first thoughts that come to my mind.
The score itself is also very interesting to look at — as it is written in free-time, with no bar lines or time signature, and can appear quite unusual to the eye to those more useto looking at more conventional forms of musical notation. But I love the amount of freedom with rhythm and interpretation that such writing allows the performer!
The Best of Nikolai Andreyevich Rimsky-Korsakov (18 March [O.S. 6 March] 1844 — 21 June [O.S. 8 June] 1908)
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military—at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brothers exploits in the navy. This love of the sea might have influenced him to write two of his best-known orchestral works, the musical tableau Sadko (not his later opera of the same name) and Scheherazade. Through his service as Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration. He passed this knowledge to his students, and also posthumously through a textbook on orchestration that was completed by his son-in-law, Maximilian Steinberg.
Rimsky-Korsakov left a considerable body of original Russian nationalist compositions. He prepared works by The Five for performance, which brought them into the active classical repertoire (although there is controversy over his editing of the works of Modest Mussorgsky), and shaped a generation of younger composers and musicians during his decades as an educator. Rimsky-Korsakov is therefore considered «the main architect» of what the classical music public considers the Russian style of composition. His influence on younger composers was especially important, as he served as a transitional figure between the autodidactism which exemplified Glinka and The Five and professionally trained composers which would become the norm in Russia by the closing years of the 19th century. While Rimsky-Korsakovs style was based on those of Glinka, Balakirev, Hector Berlioz, and Franz Liszt, he «transmitted this style directly to two generations of Russian composers» and influenced non-Russian composers including Maurice Ravel, Claude Debussy, Paul Dukas and Ottorino Respi
Scheherazade:
0:00 The Sea and Sinbads Ship
9:59 The Story of the Kalander Prince
22:52 The Young Prince and the Young Princess
33:31 Festival at Baghdad — The Sea — Shipwreck
Capriccio Espagnol:
46:36 Alborada — Vivo e strepitoso
47:47 Variazioni: Andante con moto
52:34 Alborada. Vivo e strepitoso (II)
53:45 Scena e Canto Gitano: Allegretto
55:20 Fandango Asturiano
1:01:22 The Flight of the Bumble Bee
1:02:45 Russian Easter Festival Overture, Op.36
The Enigma series by Shinobu Entsu for the Musical Project Shinnobu
#Shinnobu Best hits of the enigma 2017 to 2018 Greatest hist full Album 2018 Mystic Voices Gregorian Catus Lesiem style Enigmatic world (Enigma Red Lounge 2018) Enigma Chillout Music (New Songs)