Depeche Mode — «Enjoy The Silence» (Official Video) directed by Anton Corbijn
Original song from the Violator album (Sire/Mute Records — 1990)
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Credits
Performed By: Depeche Mode
Written By: Martin L. Gore
Produced By: Flood, Depeche Mode
Video Director: Anton Corbijn

Lyrics

Words like violence
Break the silence
Come crashing in
Into my little world
Painful to me
Pierce right through me
Cant you understand
Oh my little girl

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

Vows are spoken
To be broken
Feelings are intense
Words are trivial
Pleasures remain
So does the pain
Words are meaningless
And forgettable

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

—

The Depeche Mode channel is the band’s official YouTube home, featuring the catalogue of the iconic band’s official music videos, live performances, lyric videos and Depeche Mode-approved playlists. Subscribe to join the Depeche Mode YouTube community and check back for announcements, updates, and more!

Video is an integral expression of Depeche Modes artistry. The band have released over 50 music videos and multiple critically-acclaimed concert films, working with award-winning directors including Anton Corbijn and D.A. Pennebaker. One of the most respected, innovative, and best-selling musical acts today, Depeche Mode have sold over 100 million records and played live to more than 30 million fans around the world. Depeche Mode — Martin Gore, Dave Gahan, and Andy Fletcher — continue to win critical and commercial acclaim both in the studio and on the road, with innumerable musicians citing them as inspirations. The band’s 14 studio albums have reached the Top Ten in over 20 countries, including the US and UK. Their latest studio album, 2017’s Spirit, debuted at #5 on the Billboard 200 and the UK album charts (becoming their 17th Top 10 UK album), and launched a world tour that saw the band play to more than 3.5 million fans.

#DepecheMode #EnjoyTheSilence #Violator

The official music video for The Sweetest Thing by U2.

Directed by Kevin Godley, the video for Sweetest Thing features Bonos wife Ali Hewson as he attempts to apologise to her, enlisting the help of various performers including Boyzone, Steve Collins, Riverdance, the Artane Boys Band and the Celtic Knights.

Explore the music of U2: U2.lnk.to/ListenID

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Watch more U2 videos: U2.lnk.to/WatchMoreID

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Follow U2 on…
Facebook: U2.lnk.to/FacebookID
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Official Website: U2.lnk.to/WebsiteID

Lyrics:

My love, she throws me like a rubber ball
(Oh, the sweetest thing.)
But she wont catch me or break my fall.
(Oh, the sweetest thing.)
Babys got blue skies up ahead
But in this, Im a raincloud
You know she wants a dry kind of love.
(Oh, the sweetest thing.)

Im losin you, Im losin you
Aint love the sweetest thing?

I wanted to run, but she made me crawl
(Oh, the sweetest thing.)
Eternal fire, she turned me to straw.
(Oh, the sweetest thing.)
I know I got black eyes
But they burn so brightly for her
I guess its a blind kind of love.
(Oh, the sweetest thing.)

Im losin you, Im losin you
Aint love the sweetest thing?
Aint love the sweetest thing?

Blue-eyed boy meets a brown-eyed girl.
(Oh, the sweetest thing.)
You can sew it up, but you still see the tear.
(Oh, the sweetest thing.)
Babys got blue skies up ahead
But in this, Im a rain-cloud,
Ours is a stormy kind of love.
(Oh, the sweetest thing.)

Spotify Playlist — open.spotify.com/playlist/2UkTRAYZXXoI2vAGJhLLpK
enjoy a beautiful chill music…
best mixes — bit.do/eNr5x
more mixes — bit.do/eNr4X
spotify — open.spotify.com/user/0txgpu7mz4u5lqbtuoqnt1w8k
instagram — bit.ly/2UCEl3Z
unsplash — bit.do/e7U9b
soundcloud — bit.do/eTRNg
Tracklist • • •

00:00:00 • Wayr — Follow the Light
00:05:13 • Hazy — It Does Not Matter
Support Hazy — open.spotify.com/playlist/5uqKfYq4LEq7Oj29Zrn4wv?si=hADRbD_1SHuoqizj_pqccQ

00:11:49 • Andy Leech — I Love You
00:17:31 • Kazukii — Connection
00:21:14 • Resonance — Anew
00:25:18 • Athene — Wanderer
00:29:26 • Athene — Sorrow
00:33:39 • BLUM — Evening
00:37:06 • V.I.P.N — Rise
00:41:19 • SkyFlair — Voices
00:44:52 • Fabbro — Freedom
00:48:15 • BLUM — Morning
00:51:17 • Wayr — Endless Thoughts
00:56:33 • nExow — Ethan s Story

01:02:06 • Snowzard — L I F E
01:07:16 • BLUM — Refreshing
••••••••••••••••••••••••••••••••••••••••­­­•••••••••••••••••••••••••••••••••••
Image by — Gantas Vaičiulėnas
unsplash.com/photos/Re-zztQZ_Ks

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Architecture

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Nocturne in G Minor, Op. 15 No. 3: «A Monsieur F. Hiller» · François Chaplin

Chopin: Nocturnes

℗ 2013 Zig-Zag Territoires
℗ Anima Eterna

Released on: 2010-03-01

Composer: Frédéric Chopin

Auto-generated by YouTube.

To buy this song and other popular recordings of mine on Loudr or iTunes, or to listen on Spotify go here:
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This is a 2 hour looped version of Gnossienne no.1 by the French composer Erik Satie (1866-1925) and was composed in 1890. The piece is marked Lent — Slow.

The first Gnossienne, alongside the first Gymnopedie has got to be one of the most recognisable and most covered classical pieces of all time — and its no wonder — the composition conjures up so many images — mystery, suspense, dread and even violence are the first thoughts that come to my mind.

The score itself is also very interesting to look at — as it is written in free-time, with no bar lines or time signature, and can appear quite unusual to the eye to those more useto looking at more conventional forms of musical notation. But I love the amount of freedom with rhythm and interpretation that such writing allows the performer!

Feel free to check out my Gymnopedie and Gnossienne playlist to hear more of these wonderful pieces :)
www.youtube.com/playlist?list=PLDF8828B48FAD1900

The Best of Nikolai Andreyevich Rimsky-Korsakov (18 March [O.S. 6 March] 1844 — 21 June [O.S. 8 June] 1908)

Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.

For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military—at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brothers exploits in the navy. This love of the sea might have influenced him to write two of his best-known orchestral works, the musical tableau Sadko (not his later opera of the same name) and Scheherazade. Through his service as Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration. He passed this knowledge to his students, and also posthumously through a textbook on orchestration that was completed by his son-in-law, Maximilian Steinberg.

Rimsky-Korsakov left a considerable body of original Russian nationalist compositions. He prepared works by The Five for performance, which brought them into the active classical repertoire (although there is controversy over his editing of the works of Modest Mussorgsky), and shaped a generation of younger composers and musicians during his decades as an educator. Rimsky-Korsakov is therefore considered «the main architect» of what the classical music public considers the Russian style of composition. His influence on younger composers was especially important, as he served as a transitional figure between the autodidactism which exemplified Glinka and The Five and professionally trained composers which would become the norm in Russia by the closing years of the 19th century. While Rimsky-Korsakovs style was based on those of Glinka, Balakirev, Hector Berlioz, and Franz Liszt, he «transmitted this style directly to two generations of Russian composers» and influenced non-Russian composers including Maurice Ravel, Claude Debussy, Paul Dukas and Ottorino Respi

Scheherazade:
0:00 The Sea and Sinbads Ship
9:59 The Story of the Kalander Prince
22:52 The Young Prince and the Young Princess
33:31 Festival at Baghdad — The Sea — Shipwreck

Capriccio Espagnol:
46:36 Alborada — Vivo e strepitoso
47:47 Variazioni: Andante con moto
52:34 Alborada. Vivo e strepitoso (II)
53:45 Scena e Canto Gitano: Allegretto
55:20 Fandango Asturiano

1:01:22 The Flight of the Bumble Bee
1:02:45 Russian Easter Festival Overture, Op.36

Antonio Vivaldi — Four Seasons
Budapest Strings
Bela Banfalvi, Conductor

You can get the exact album I have here on Amazon: amzn.to/1I2dNNu (affiliate).

Here are the times for the specific movements:
Spring 0:00
Summer 10:31
Autumn 20:59
Winter 32:48

I hope you love this recording! It is my favorite one Ive heard yet. Happy Listening!

AnAmericanComposer

Top 10 NCS — Metal / Rock

Infraction is one of the safest YouTube channels dedicated with no copyright music for content creators.

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— 2$ music from my library: www.youtube.com/watch?v=AI6bntCHjEE

Спокойная релакс музыка для умственной работы, учебы, чтения, фона. Для улучшения производительности труда, повышения работоспособности. Фоновая музыка — помощник для обучения, усвоения и лучшего запоминания информации.
Можно использовать для релаксации, медитаций.