Evgeny Grinko - Field (1 Hour)


Evgeny Grinko is a talented musician from the small town Zhukovsky located not far from Moscow. He creates music that touches feelings without the need for words and rids indifference. His compositions prove that modern music is not just a shallow show of highly marketed production but has real substance and depth.

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Evgeny Grinko — Composer, Piano, Guitar.
Yana Chekina — Cello.
Skiba Nikita — Viola.
Vlada Ponyatovskaya and Anna Afanaseva — Violins.
Jeon Haein — Accordion.

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Silent Like Water (2015)

Best Relaxing Piano Studio Ghibli Complete Collection スタジオジブリ宮崎駿リラクシングピアノ音楽


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— (Part 01)

Relaxing Piano — Hayao Miyazaki Collection:

0:00:03 Kikis Delivery Service — Umi no Mieru Machi

0:04:46 Princess Mononoke — Mononoke Hime

0:06:26 My Neighbor Totoro — Kaze no Toori Michi

0:11:53 Porco Rosso — Toki ni wa Mukashi no Hanashi wo

0:17:38 Kikis Delivery Service — Yasashisa ni Tsutsumareta nara

0:23:01 My Neighbor Totoro — Tonari no Totoro

0:27:22 Nausicaä of the Valley of the Wind — Kaze no Tani no Naushika

0:32:10 Laputa: Castle in the Sky — Kimi wo Nosete

0:37:39 Spirited Away — Inochi no Namae

(PART 02)

Relaxing Piano — Ghibli Collection:

0:43:28 From Up on Poppy Hill — Sayonara no Natsu — Kokuriko-zaka kara

0:48:46 Whisper of the Heart — Take Me Home ***

0:54:26 Kikis Delivery Service — Message By Rouge

0:59:15 My Neighbor Totoro — Stroll

1:04:01 Tales from Earthsea — Terus Song

1:09:24 The Secret World of Arrietty — Arriettys Song

1:14:11 Ponyo — Ponyo on the Cliff by the Sea

1:18:01 Nausicaä of the Valley of the Wind — Nausicaa Requiem

1:22:15 Howls Moving Castle — The Promise of the World

1:27:44 Spirited Away — Reprise

Other video
www.youtube.com/watch?v=2szgUD7wmZg

Baroque Adagios - Studying


40-60 Beats Per Minutes (BPM)

www.baroquemusic.org

1 JS Bach – Suite 3 BWV 1068: Air 0:00

2 Vivaldi – Guitar Concerto: Largo 3:31

3 JS Bach – Clavier Concerto BWV 1056: Largo 7:35

4 Albinoni – Oboe Concerto Opus 9/11: Largo 10:46

5 Handel – Water Music, Suite 1: Air 14:38

6 Vivaldi – Four Seasons, Winter: Adagio 16:47

7 Wassenaer – Concerto 4: Adagio-Allegro 19:20

8 JS Bach – 3-Clavier Concerto BWV 1064 flute/violin version: Andante 25:05

9 Wassenaer – Concerto 3: Andante 31:48

10 Handel – Oboe Concerto 2: Andante 35:40

11 Boyce – Concerto Grosso in b: 4th movement 38:13

12 Geminiani – Concerto 9: Largo 39:42

13 Albinoni – Sonata (Symphony) Op 2/5: Adagio 44:27

14 Alessandro Scarlatti – Concerto 4: Allegro 46:61

15 JS Bach – Sonata for Harpsichord

Gymnopédie No. 1 - Erik Satie - 2 HOURS Classical Music for Studying


2 Hours of Classical Music for studying and concentration. The best Satie study music and relaxing instrumental piano song.

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«Erik Satie: Gymnopedie No 1» (by Kevin MacLeod) Attribution License (incompetech.com)

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Erik Satie Trois Gymnopedies


* The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as an important precursor to modern ambient music — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition.[citation needed] For instance, the first few bars of Gymnopédie No. 1 consist of an alternating progression of two major seventh chords, the first on the subdominant, G, and the second on the tonic, D.
The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece «painfully», «sadly» or «gravely».
From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps because of John Cages interpretation of them.

* Éric Alfred Leslie Satie (pronounced: [eʁik sati]) (signed his name Erik Satie after 1884) (17 May 1866, Honfleur — 1 July 1925, Paris) was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
An eccentric, Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrician» (meaning «someone who measures sounds») preferring this designation to that of a «musician», after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.