2 Hours of Classical Music for studying and concentration. The best Satie study music and relaxing instrumental piano song.
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«Erik Satie: Gymnopedie No 1» (by Kevin MacLeod) Attribution License (incompetech.com)
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Ludwig Van Beethoven (1770-1827): The 32 Piano Sonatas by Yves Nat.
Click to activate the English subtitles for the presentation (00:00-02:54)
— COMPLETE PLAYLIST: LOOK THE FIRST COMMENT — 00:00 #1 in F Minor, Op. 2/1 — 1. Allegro
03:53 #1 in F Minor, Op. 2/1 — 2. Adagio
08:16 #1 in F Minor, Op. 2/1 — 3. Menuetto: Allegretto
11:26 #1 in F Minor, Op. 2/1 — 4. Prestissimo
— 16:44 #2 in A, Op. 2/2 — 1. Allegro Vivace
23:45 #2 in A, Op. 2/2 — 2. Largo Appassionato
29:34 #2 In A, Op. 2/2 — 3. Scherzo: Allegretto
32:51 #2 in A, Op. 2/2 — 4. Rondo: Grazioso
— 2:17:28 Piano Variations in C minor on an Original Theme WoO 80
— Piano Sonata #8 in C Minor, Op. 13, «Pathetique»
2:27:10 #8 in C Minor, Op. 13, «Pathetique» 1. Grave — Allegro Di Molto E Con Brio
2:33:45 #8 in C Minor, Op. 13, «Pathetique» 2. Adagio Cantabile
2:38:50 #8 in C Minor, Op. 13, «Pathetique» 3. Rondo: Allegro
— 4:05:18 #14 in C Sharp Minor, Op. 27/2, «Moonlight» 1. Adagio Sostenuto
4:10:40 #14 in C Sharp Minor, Op. 27/2, «Moonlight» 2. Allegretto
4:12:34 #14 in C Sharp Minor, Op. 27/2, «Moonlight» 3. Presto Agitato
— 5:03:54 Piano Sonata #17 in D Minor, Op. 31/2, «Tempest» — 1. Largo, Allegro
5:11:44 Piano Sonata #17 in D Minor, Op. 31/2, «Tempest» — 2. Adagio
5:18:49 Piano Sonata #17 in D Minor, Op. 31/2, «Tempest» — 3. Allegretto
— 5:25:31 #18 in E Flat, Op. 31/3, «The Hunt» 1. Allegro
5:33:27 #18 in E Flat, Op. 31/3, «The Hunt» 2. Scherzo: Allegretto Vivace
5:38:25 #18 in E Flat, Op. 31/3, «The Hunt» 3. Menuetto: Moderato Grazioso
5:41:48 #18 in E Flat, Op. 31/3, «The Hunt» 4. Presto Con Fuoco
— COMPLETE PLAYLIST: LOOK THE FIRST COMMENT — 5:59:36 #21 in C, Op. 53, «Waldstein» 1. Allegro Con Brio
6:09:25 #21 in C, Op. 53, «Waldstein» 2. Introduzione: Adagio Molto
6:12:27 #21 in C, Op. 53, «Waldstein» 3. Rondo: Allegretto Moderato, Prestissimo
— 6:30:05 #23 in F Minor, Op. 57, «Appassionata» 1. Allegro Assai
6:39:02 #23 in F Minor, Op. 57, «Appassionata» 2. Andante Con Moto
6:44:53 #23 in F Minor, Op. 57, «Appassionata» 3. Allegro Ma Non Troppo
— 7:47:10 #29 in B Flat Major, Op.106 « Hammerklavier » 1. Allegro
7:57:41 #29 in B Flat Major, Op.106 « Hammerklavier » 2. Scherzo — Assai vivace
8:00:22 #29 in B Flat Major, Op.106 « Hammerklavier » 3. Adagio sostenuto, Appassionato e con molto sentimento
8:16:38 #29 in B Flat Major, Op.106 « Hammerklavier » 4. Largo — Allegro risoluto
— 8:28:09 #30 in E, Op. 109 — 1. Vivace Ma Non Troppo, Adagio Espressivo
8:31:14 #30 in E, Op. 109 — 2. Prestissimo
8:33:36 #30 in E, Op. 109 — 3. Gesangvoll, Mit Innigster Empfindung
— 8:44:38 #31 in A Flat, Op. 110 — 1. Moderato Cantabile, Molto Espressivo
8:50:08 #31 in A Flat, Op. 110 — 2. Allegro Molto
8:52:14 #31 in A Flat, Op. 110 — 3. Adagio Ma Non Troppo
8:55:11 #31 in A Flat, Op. 110 — 4. Fuga: Allegro Ma Non Troppo
— Piano Sonata #32 in C Minor, Op. 111
9:01:05 #32 in C Minor, Op. 111, 1. Maestoso, Allegro Con Brio Appassionato
9:07:29 #32 in C Minor, Op. 111, 2. Arietta: Adagio Molto Semplice E Cantabile
Piano: Yves Nat
Recorded in 1951-55, at Paris
New Mastering in 2020 by AB for CMRR
Find CMRRs recordings on Spotify: spoti.fi/3016eVr
BEETHOVEN AT HOME. Beware, this is a legendary complete set and many consider it to be the best complete set of Beethovens piano sonatas. A handful of pianists have reached the pinnacle of their art through Beethovens sonatas, it is therefore difficult to put one above the others and its even inappropriate. One thing that we particularly appreciate at Yves Nat and that makes his complete works unique is his left hand. You only have to listen to the first plated chords of Opus 111 (9:01:05 ) to realize the impressive power of Yves Nats left hand. His left hand is more powerful than normal and God knows the importance of this left hand for playing a truly great Beethoven.
The complete piano sonatas of Beethoven by Yves nat is perhaps the most authentic, the one that comes closest to the personality of the composer: deep, hyper-sensitive, tender, instinctive, characterful, tormented, passionate, imperious, noble… His visionary approach restores the most terrible conflicts of the great Beethovenian architectures. Listening to Yves Nat is like having Beethoven at home.
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«Life exists only at this very moment, and in this moment it is infinite and eternal. For the present moment is infinitely small; before we can measure it, it has gone, and yet it exists forever.... You may believe yourself out of harmony with life and its eternal Now; but you cannot be, for you are life and exist Now.»— Alan Watts
Recorded in only one take using Roland JV-1080, Roland D-50 and backgrorund soundscape of Okinawa at night.
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