Alfred Eric Leslie Satie (Honfleur, 17 May 1866 — Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.
Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrograph» or «phonometrician» (meaning «someone who measures (and writes down) sounds») preferring this designation to that of «musician,» after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music[citation needed] — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass — first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term «furniture music» to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps due to John Cages interpretation of them.
Some of the paintings are from Édouard Cortèss
— Gymmopedie No. 1.
— Gnossienne No. 1
— Gnossienne No. 3
-GnossienneNo. 4
— Gnossienne No. 2
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Who can say where the road goes
Where the day flows, only time
And who can say if your love grows
As your heart chose, only time
Who can say why your heart sighs
As your love flies, only time
And who can say why your heart cries
When your love lies, only time
Who can say when the roads meet
That love might be in your heart
And who can say when the day sleeps
If the night keeps all your heart
Night keeps all your heart
Who can say if your love grows
As your heart chose
— Only time
And who can say where the road goes
Where the day flows, only time
℗ 2015 Aigle Music under exclusive licence to Warner Music UK Limited
Engineer: Daniel Polley
Mastering Engineer: Dick Beetham
Mixing Engineer: Enya
Instruments, Vocals: Enya
Arranger: Nicky Ryan
Mixing Engineer: Nicky Ryan
Engineer: Nicky Ryan
Writer: Enya
Writer: Roma Ryan
Rip of the 1992 CD release from Teichiku Records Co.
Takashi Kokubo (小久保隆) released ten albums over the course of 1992-93 in what is called the «Ion Series». These ten albums were released in two five-album sub-series, one in 1992 and one in 1993. The first sub-series, released in 1992, is titled 「都市生活者へ送る音風景」 or «Sound Scenery for City People». This album is part one of the first sub-series, making it the first album in the Ion Series.
Commemorating the 80th anniversary of the death of Hachi — the dog that waited for his master at Shibuya Station long after his owner passed away — and the 90th of the owner’s passing, University of Tokyo unveils a statue of their reunion.
