Gnossienne no.1: Extended 2 HOUR Loop, by Erik Satie (1866-1925) composed in 1890


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This is a 2 hour looped version of Gnossienne no.1 by the French composer Erik Satie (1866-1925) and was composed in 1890. The piece is marked Lent — Slow.

The first Gnossienne, alongside the first Gymnopedie has got to be one of the most recognisable and most covered classical pieces of all time — and its no wonder — the composition conjures up so many images — mystery, suspense, dread and even violence are the first thoughts that come to my mind.

The score itself is also very interesting to look at — as it is written in free-time, with no bar lines or time signature, and can appear quite unusual to the eye to those more useto looking at more conventional forms of musical notation. But I love the amount of freedom with rhythm and interpretation that such writing allows the performer!

Feel free to check out my Gymnopedie and Gnossienne playlist to hear more of these wonderful pieces :)
www.youtube.com/playlist?list=PLDF8828B48FAD1900

Vivaldi: Four Seasons/Quattro Stagioni - Janine Jansen - Internationaal Kamermuziek Festival


Amsterdam Sinfonietta en violiste Janine Jansen spelen Vivaldis Vier jaargetijden tijdens het Internationaal Kamermuziek Festival 2014.

La Primavera/Spring/Lente
Spring Movement 1 (Allegro) — 0:04
Spring Movement 2 (Largo) — 3:31
Spring Movement 3 (Allegro) — 6:02

Lestate/Summer/Zomer
Summer Movement 1 (Allegro non molto) — 10:22
Summer Movement 2 (Adagio) — 15:41
Summer Movement 3 (Presto) — 17:54

Lautunno/Autumn/Herfst
Autumn Movement 1 (Allegro) — 21:01
Autumn Movement 2 (Adagio molto) — 26:10
Autumn Movement 3 (Allegro) — 28:41

Linverno/Winter
Winter Movement 1 (Allegro non molto) — 32:05
Winter Movement 2 (Largo) — 35:21
Winter Movement 3 (Allegro) — 37:00

Opname: 29 juni 2014 tijdens het Internationaal Kamermuziek Festival Utrecht in TivoliVredenburg.

Four Seasons ~ Vivaldi


Antonio Vivaldi — Four Seasons
Budapest Strings
Bela Banfalvi, Conductor

You can get the exact album I have here on Amazon: amzn.to/1I2dNNu (affiliate).

Here are the times for the specific movements:
Spring 0:00
Summer 10:31
Autumn 20:59
Winter 32:48

I hope you love this recording! It is my favorite one Ive heard yet. Happy Listening!

AnAmericanComposer

Erik Satie - Gymnopédies


Download this songs canticum.bandcamp.com/album/erik-satie-gymnop-dies
Download sheet music for piano gumroad.com/l/IgrYP

Alfred Eric Leslie Satie (Honfleur, 17 May 1866 — Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.

Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrograph» or «phonometrician» (meaning «someone who measures (and writes down) sounds») preferring this designation to that of «musician,» after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.

In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.

Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.

These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music[citation needed] — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass — first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.

Satie himself used the term «furniture music» to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps due to John Cages interpretation of them.
Some of the paintings are from Édouard Cortèss
— Gymmopedie No. 1.
— Gnossienne No. 1
— Gnossienne No. 3
-GnossienneNo. 4
— Gnossienne No. 2

Happy Life – FREDJI (No Copyright Music)


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Best Music Mix ♫ No Copyright Gaming Music ♫ Music by Roy Knox and Friends


Best Music Mix ♫ No Copyright Gaming Music ♫ Music by Roy Knox and Friends
Tracklist:
00:00 ROY KNOX — Lost In Sound (Magic Release)
02:33 ROY KNOX — Blue Eyed Demon [NCS Release]
05:48 Koven x ROY KNOX — About Me [NCS Release]
08:20 ROY KNOX x Tim Beeren — Save Me (Feat. Svniivan) [NCS Release]
11:40 Jim Yosef x ROY KNOX — Sun Goes Down [NCS Release]
14:21 ROY KNOX — Firefly (Magic Release)
17:44 ROY KNOX — Earthquake [NCS Release]
20:40 ROY KNOX — I Wish [NCS Release]
22:52 ROY KNOX — Ill Be There (The Arcadium Release)
25:44 ROY KNOX