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Yellow Brick Cinema is excited to announce the launch of our brand new iOS music app available on the App Store! With this app you can customize your favorite Yellow Brick Cinema music tracks and add your choice of nature sounds, binaural beats and various volume settings, all in a couple of seconds! There are also added features such as alarm and timer settings as well as the opportunity to download and save this music in your own customized playlists to enjoy this music offline.
If you enjoy your 7-day FREE trial, we are offering a launch special of a 50% discount on any further monthly subscriptions or a 75% discount on an annual subscription, as we understand how difficult things are for people world-wide during these difficult times.
I hope you enjoy this new experience with Yellow Brick Cinema which takes our music to a new level for your enjoyment!
Relax with Instrumental Christmas songs and Christmas tree lights while watching a gentle snowing Christmas tree in a winter forest, beautifully lit at night.
Featuring 22 Christmas piano songs in this Christmas Playlist that repeat every 30 mins.
I hope this Christmas music and snowfall make for a cozy Christmas ambience in your home.
Merry Christmas!
#christmassongs #christmaspiano #christmasmusic #christmasplaylist #christmasambience #instrumentalchristmasmusic #snowing #snowfall #christmastreelights #winterforest #relaxingchristmas
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Im a Creative who couldn’t find exactly what I wanted on YouTube, so I make it myself.
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Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.
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00:00:01 Lucio Silla, K. 135: Ouverture. II. Andante
00:02:59 Flute and Harp Concerto in C Major, K. 299: II. Andantino
00:11:54 Flute and Harp Concerto in C Major, K. 299: III. Rondò. Allegro
00:23:23 Eine Kleine Nachtmusik in G Major, K. 525: II. Romanza. Andante
00:30:36 Piano Sonata in B-Flat Major, K. 333: I. Allegro
00:36:31 Piano Sonata in B-Flat Major, K. 333: II. Andante cantabile
00:42:49 Piano Sonata in B-Flat Major, K. 333: III. Allegretto grazioso
00:49:58 Flute Concerto No. 1 in G Major, K. 313: III. Rondò. Minuetto
00:58:19 Andante for Flute and Orchestra in C Major, K. 315
01:06:17 Symphony No. 36 in C Major, K. 425 «Linz»: II. Andante con moto
01:08:17 Clarinet Concerto in A Major, K. 622: I. Allegro
01:20:22 Piano Concerto No. 21 in C Major, K. 467: II. Andante
01:27:39 Piano Sonata No. 16 in C Major, K. 545 «For Beginners»: II. Andante
01:31:22 Piano Sonata No. 17 in B-Flat Major, K. 570: II. Adagio
01:38:28 Piano Concerto No. 19 in F Major, K. 459: II. Allegretto
01:45:16 Flute Concerto No. 2 in D Major, K. 314: II. Adagio non troppo
01:52:58 Sonata No. 1 for Harpsichord, Flute and Cello in B-Flat Major, K. 10: II. Andante
01:56:43 Violin Concerto No. 5 in A Major, K. 219: II. Adagio
02:08:36 Symphony No. 41 in C Major, K. 551 «Jupiter»: II. Andante cantabile
02:16:54 Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio
02:23:09 Symphony No. 1 in E-Flat Major, K. 16: II. Andante
02:26:04 Divertimento No. 1 in E-Flat Major, K. 113: II. Andante
1987 / 1991 Moldavia Philharmonic Orchestra / All Rights Reserved
1985 / 1998 ITC Philharmonic Orchestra / All Rights Reserved
1991 Giuseppe Verdi Orchestra / All Rights Reserved
1988 Lucia Marina DellOrso / All Rights Reserved
1984 / 1994 EKlectic Music / All Rights Reserved
2001 Pitagora Music / All Rights Reserved
2012 3ut3rp3 Music Ltd / All Rights Reserved
2001 The Mozart Symphony Orchestra / All Rights Reserved
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Athletic Stretch — комплексная функциональная тренировка, позволяющая развивать гибкость, силу и координацию. На занятии атлетик стрейч вас ждёт интенсивный ритм движений, чередующийся с плавными упражнениями на растяжку и гибкость.
ТРЕНИРОВКИ НА ПЛАТФОРМЕ «ZOOM»:
В «Zoom» мы проводим дополнительные онлайн-тренировки с тренерами из фитнес-клуба Super Gym. На этой платформе тренер видит, как вы выполняете упражнения через веб-камеру, и может корректировать вас во время тренировки.
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Запись на тренировки осуществляется через наше мобильное приложение (Super Gym Томск) при наличии действующего абонемента.
Что нужно сделать, чтобы записаться на онлайн-занятие:
1. Скачать мобильное приложение «Super Gym Томск».
2. Зарегистрироваться в нем.
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При возникновении трудностей на любом этапе, пишите нам в ВК или в инстаграме.
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