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Composer: Johann Sebastian Bach
Artist: Yuan Sheng piano

This is the third instalment of Yuan Sheng’s complete Bach cycle played on the piano, previous issues include the Goldberg Variations and the Italian Concerto/French Overture.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
This recent recording of the complete 6 Partitas is again a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.
Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.

00:00:00 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
00:01:43 Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
00:05:37 Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
00:08:35 Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
00:14:10 Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I

Includes all 3 movements. Taken from «Sergey Rachmaninov — Piano Concertos 2

Amsterdam Sinfonietta en violiste Janine Jansen spelen Vivaldis Vier jaargetijden tijdens het Internationaal Kamermuziek Festival 2014.

La Primavera/Spring/Lente
Spring Movement 1 (Allegro) — 0:04
Spring Movement 2 (Largo) — 3:31
Spring Movement 3 (Allegro) — 6:02

Lestate/Summer/Zomer
Summer Movement 1 (Allegro non molto) — 10:22
Summer Movement 2 (Adagio) — 15:41
Summer Movement 3 (Presto) — 17:54

Lautunno/Autumn/Herfst
Autumn Movement 1 (Allegro) — 21:01
Autumn Movement 2 (Adagio molto) — 26:10
Autumn Movement 3 (Allegro) — 28:41

Linverno/Winter
Winter Movement 1 (Allegro non molto) — 32:05
Winter Movement 2 (Largo) — 35:21
Winter Movement 3 (Allegro) — 37:00

Opname: 29 juni 2014 tijdens het Internationaal Kamermuziek Festival Utrecht in TivoliVredenburg.

Johann Sebastian Bach (1685-1750).
Brandenburg Concertos.

Concerto nº1 in F major BWV 1046
1. (no tempo indication)
2. Adagio
3. Allegro
4. Menuetto-Trio I-Polacca-Trio II

Concerto nº2 in F major BWV 1047
5. (no tempo indication)
6. Andante
7. Allegro assai

Concerto nº3 in G major BWV 1048
8. (no tempo indication)
9. Adagio — Allegro

Concerto nº4 in G major BWV 1049
10. Allegro
11. Andante
12. Presto

Concerto nº5 in D major BWV 1050
13. Allegro
14. Affettuoso
15. Allegro

Concerto nº6 in B flat major BWV 1051
16. (no tempo indication)
17. Adagio ma non tanto
18. Allegro

Soloists

Orchestra Of The Age Of Enlightenment
Bach, una de las cimas…

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Nocturnes, Op. 32: No. 2 in A flat major. Lento · Brigitte Engerer

Chopin: Complete Nocturnes

℗ harmonia mundi

Released on: 2010-06-22

Artist: Brigitte Engerer
Soloist: Brigitte Engerer
Composer: Frederic Chopin

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Download sheet music for piano gumroad.com/l/IgrYP

Alfred Eric Leslie Satie (Honfleur, 17 May 1866 — Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.

Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrograph» or «phonometrician» (meaning «someone who measures (and writes down) sounds») preferring this designation to that of «musician,» after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.

In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.

Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.

These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music[citation needed] — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass — first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.

Satie himself used the term «furniture music» to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps due to John Cages interpretation of them.
Some of the paintings are from Édouard Cortèss
— Gymmopedie No. 1.
— Gnossienne No. 1
— Gnossienne No. 3
-GnossienneNo. 4
— Gnossienne No. 2

Feeling This — Travis Barker backstage

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www.incompetech.com

6 Часов Музыка для Обучения: Музыка для Работы, Музыка для Концентрации и Фокуса
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