Liquid Drum and Bass Mix #60

Жизнь и здоровье

Mixed by Q-Lee
Feel free to subscribe, like, and comment. Enjoy

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Monrroe — Dawning (Feat. Emily Jones)
Degster — Falling Leaves (Original Mix)
Monrroe — Days Like These (Original Mix)
Degster — Walking At Night (Original Mix)
Kairos — Visions (Original Mix)
Colossus — The Road
Nexus

Back to the Future | Marty McFly Plays "Johnny B. Goode" and "Earth Angel"

Жизнь и здоровье

«You know that new sound youre lookin for? Well listen to this!» Marty McFlys entire future rests on being able to play the guitar at his parents Enchantment Under the Sea dance, all the way back in 1955. Watch him rock out to «Earth Angel» and «Johnny B. Goode!»
#BackToTheFuture #MartyMcFly #JohnnyBGoode

Buy/Rent Back to the Future!
Amazon: www.amazon.com/Back-to-the-Future-HD/dp/B00498XR9U
iTunes: itunes.apple.com/us/movie/back-to-the-future/id380239015
YouTube Movies: www.youtube.com/watch?v=UpEbGV-mjq0
Google Play: play.google.com/store/movies/details/Back_to_the_Future?id=UpEbGV-mjq0

Depeche Mode - Enjoy The Silence (Official Video)

Жизнь и здоровье

Depeche Mode — «Enjoy The Silence» (Official Video) directed by Anton Corbijn
Original song from the Violator album (Sire/Mute Records — 1990)
Buy the 12” Singles Box Sets — depechemodeboxsets.com
Listen to more Depeche Mode — lnk.to/depeche_mode

Subscribe to the channel bit.ly/DepecheYouTube

Follow Depeche Mode
Website: depechemode.com
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Credits
Performed By: Depeche Mode
Written By: Martin L. Gore
Produced By: Flood, Depeche Mode
Video Director: Anton Corbijn

Lyrics

Words like violence
Break the silence
Come crashing in
Into my little world
Painful to me
Pierce right through me
Cant you understand
Oh my little girl

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

Vows are spoken
To be broken
Feelings are intense
Words are trivial
Pleasures remain
So does the pain
Words are meaningless
And forgettable

All I ever wanted
All I ever needed
Is here in my arms
Words are very unnecessary
They can only do harm

—

The Depeche Mode channel is the band’s official YouTube home, featuring the catalogue of the iconic band’s official music videos, live performances, lyric videos and Depeche Mode-approved playlists. Subscribe to join the Depeche Mode YouTube community and check back for announcements, updates, and more!

Video is an integral expression of Depeche Modes artistry. The band have released over 50 music videos and multiple critically-acclaimed concert films, working with award-winning directors including Anton Corbijn and D.A. Pennebaker. One of the most respected, innovative, and best-selling musical acts today, Depeche Mode have sold over 100 million records and played live to more than 30 million fans around the world. Depeche Mode — Martin Gore, Dave Gahan, and Andy Fletcher — continue to win critical and commercial acclaim both in the studio and on the road, with innumerable musicians citing them as inspirations. The band’s 14 studio albums have reached the Top Ten in over 20 countries, including the US and UK. Their latest studio album, 2017’s Spirit, debuted at #5 on the Billboard 200 and the UK album charts (becoming their 17th Top 10 UK album), and launched a world tour that saw the band play to more than 3.5 million fans.

#DepecheMode #EnjoyTheSilence #Violator

Gnossienne no.1: Extended 2 HOUR Loop, by Erik Satie (1866-1925) composed in 1890

Жизнь и здоровье

To buy this song and other popular recordings of mine on Loudr or iTunes, or to listen on Spotify go here:
Loudr: www.loudr.fm/artist/daigoro789/YG5fe
iTunes: itunes.apple.com/us/artist/daigoro789/id853371490
Spotify: play.spotify.com/album/4ujkSnqDkuzNzdaWZD7Yu0

Facebook fan-page: www.facebook.com/pages/Daigoro789/330163270336943

This is a 2 hour looped version of Gnossienne no.1 by the French composer Erik Satie (1866-1925) and was composed in 1890. The piece is marked Lent — Slow.

The first Gnossienne, alongside the first Gymnopedie has got to be one of the most recognisable and most covered classical pieces of all time — and its no wonder — the composition conjures up so many images — mystery, suspense, dread and even violence are the first thoughts that come to my mind.

The score itself is also very interesting to look at — as it is written in free-time, with no bar lines or time signature, and can appear quite unusual to the eye to those more useto looking at more conventional forms of musical notation. But I love the amount of freedom with rhythm and interpretation that such writing allows the performer!

Feel free to check out my Gymnopedie and Gnossienne playlist to hear more of these wonderful pieces :)
www.youtube.com/playlist?list=PLDF8828B48FAD1900