Animals of The Earth Vol​ume 2 ~ Tryptology Mixtape Ethnotronic Folktronic World Ethnic Wilderness


Listen to on Hearthis wihout any ads hearthis.at/tryptology/animals-earth-vol2 Cosmovision Records has just released today the second part of Animals of The Earth :)! I invite you to read their manifesto which of course take into account that humankind is in 2020. Also remember that 100% of Cosmovision albums are not only free or «name your price» but more important 99% of them support causes for indigenous and so-called «primitive» people with our donations. The causes are of course always clearly described in the description. Here the Cosmovision Records description of Animals of The Earth Vol​. 2:

«Our generation has taken many causes but the most important cause is sometimes forgotten and thats our planets ecosystem. Today our planet still waits urgently for our action and with the latest events, Mother Earth itself is screaming to humanity to slow down and reconnect with her in a spiritual way.

Modern societies have been treating Mother Earth as if it was their property; extracting resources, polluting constantly, changing the landscape, killing the other animals and destroying its natural balance.

Since the Industrial Revolution, humanity has killed 83% of all wild mammals and half of all plants of the Earth. Two hundred species of living beings are going extinct every single day. We collectively need to change so many things in areas such as the use of plastic, meat consumption, contaminating energies, day to day overconsumption and more. How can artists raise awareness regarding this?

Thinking on how to be simple but at the same time Universal, Cosmovision Records presents ¨Animals of the Earth¨. For this project we have gathered to co-create an ecosystem that lives in a music album. Producers from many places on Earth explored their connections with our animal cousins, remembering that the monkey, the wolf, the polar beer and all the others are our partners in the long trip that this green and lively planet takes in the Universe.

We invite you to come with us on this journey through the musical ecosystem of the ¨Animals of the Earth¨ to discover, respect and care for these beautiful beings that live with us. „

Cosmovision Records networks
Bandcamp cosmovisionrecords.bandcamp.com/album/animals-of-the-earth-vol-2
Soundcloud soundcloud.com/cosmovisionrecord

Look deeper in the about section to learn more about Tryptology and the Intentions within You can find me on Soundcloud Hearthis Vimeo ~ ads free music video ~ and Mixcloud and other social networks to discuss about all the Tryptology related topics in fact I am everywhere on the web and in many realities and timelines

Tracklist and timecode

1 Mamazu and Intiche ~ Rena 00:00
2 J Pool ~ The Call of the Loon 07:07
3 El Extravagante and Nectar de Estrellas ~ Chevreuil Blanc 13:17
4 Guasá Guarriors and Juan Correa feat Carminda Mac Lorin ~ El Nublao 16:38
5 Nat Barrera ~ Buhero 20:54
6 Intiche ~ Huemul 25:05
7 Jiony ~ Sloth 35:36
8 Jack Essek — Hummingbird 39:52
9 Yemanjo — Echolocation 48:10
10 Ultra K — Luciole 52:00
11 Soul of Zoo

Dreamstate Logic Mix


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Playlist:
Dreamstate Logic — Starseed Transmissions 0:00
Dreamstate Logic — Awakening In The Dream 8:48
Dreamstate Logic — Code Of Existence 12:30
Dreamstate Logic — Edge Of Eternity 17:17
Dreamstate Logic — Galaxys Child 26:06
Dreamstate Logic — Toward The Light 29:19
Dreamstate Logic — Across The Void 33:30
Dreamstate Logic — Silent Universe 36:00
Dreamstate Logic — Dimension Zero 41:41
Dreamstate Logic — Synchronicity 49:09
Dreamstate Logic — Coherence 52:02
Dreamstate Logic — Beyond The Veil 54:54

WRLD - By Design [Monstercat Release]


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Genre: DnB

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Sona Jobarteh


Click times for titles: 1) 0:12 2) 10:06 3) 16:52 4) 24:40 5) 34:02 6) 44:24 7) 49:30

Sona Jobarteh performed in Weimar on invitation of the University of Music FRANZ LISZT Weimar and its UNESCO Chair of Transcultural Music Studies (TMS). The TMS Chair regularly invites artists to bring the musicology students into contact with various musical cultures for inspiration and exchange.

Sona Jobarteh is the first female Kora virtuoso to come from a west African Griot family. The Kora is one of the most important instruments belonging to the Manding peoples of West Africa (Gambia, Senegal, Mali, Guinea and Guinea-Bissau). It belongs exclusively to griot families, and usually only men who are born into these families have the right to take up the instrument professionally. Sona Jobarteh combines various genres of African Music and western musical elements.

Sonah Jobarteh – Acoustic Guitar/ Kora/ Vocals
Kari Bannermann – Acoustic Guitar
Andi McLean – Electric Bass/ BVs
Mouhamadou Sarr – Djembe/ Congas/ Calabash/ BVs

Recorded on 1 July 2015 at the «mon ami», Weimar.

For further information visit:
www.hfm-weimar.de/tms

Travel And Rain | Beautiful Chill Mix


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Tracklist • • •

00:00:00 • Wayr — Follow the Light
00:05:13 • Hazy — It Does Not Matter
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00:11:49 • Andy Leech — I Love You
00:17:31 • Kazukii — Connection
00:21:14 • Resonance — Anew
00:25:18 • Athene — Wanderer
00:29:26 • Athene — Sorrow
00:33:39 • BLUM — Evening
00:37:06 • V.I.P.N — Rise
00:41:19 • SkyFlair — Voices
00:44:52 • Fabbro — Freedom
00:48:15 • BLUM — Morning
00:51:17 • Wayr — Endless Thoughts
00:56:33 • nExow — Ethan s Story

01:02:06 • Snowzard — L I F E
01:07:16 • BLUM — Refreshing
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Architecture

Time to Move on | A Chill Mix


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Tracklist • • •

00:00:00 • Shill — Dreamer
00:05:39 • SHill — Gaïa
00:09:54 • Rhian Sheehan — Keepsake
00:14:17 • S Hill — Time Stops When The Rain Falls
00:18:12 • Snowzard — O a s i s
00:23:14 • Dept 뎁트 — i still miss you
00:25:52 • Dept 뎁트 — Empty
00:29:11 • Lorin — Air
00:31:28 • HaTom — Naya
00:35:36 • Delectatio — Ominous
00:41:08 • Introspecter — Submerged
00:48:04 • Delectatio — I Wish
00:54:28 • Everbeat — Vik (Diversity of Silence Remix)
00:58:40 • Canoo — Jukai

01:04:55 • Amoeba — Where I Was Meant To Be
01:10:49 • An Imaginal Space — Myths
01:18:49 • Joachim Heinrich — I m An Astronaut
01:22:39 • Jameson Nathan Jones — Carry Me Slowly
01:26:20 • Olli — My Dear (feat. Tämä) (Kaisaku Remix)
01:30:22 • Barry Hudson-Taylor — Motion
01:34:09 • Delectatio — Epiphany
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Architecture

Beethoven - Moonlight Sonata (FULL)


Beethoven — Moonlight Sonata (FULL) — Piano Sonata No. 14
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The Piano Sonata No. 14 in C♯ minor «Quasi una fantasia», op. 27, No. 2, by Ludwig van Beethoven

The sonata has three movements:

0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato

Adagio sostenuto

The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a «lamentation», mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or «very quietly», and the loudest it gets is mezzo forte or «moderately loud».

The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it «is one of those poems that human language does not know how to qualify. The work was very popular in Beethovens day, to the point of exasperating the composer himself, who remarked to Carl Czerny, „Surely Ive written better things.

Allegretto

The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as “a flower between two chasms.»[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movements cheerful disposition.

Presto agitato

The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethovens (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.

It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopins Fantaisie-Impromptu, which manifests the key relationships of the sonatas three movements.

Of the final movement, Charles Rosen has written «it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.

Beethovens heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethovens pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals

At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: „Si deve suonare tutto questo pezzo delicatissimamente e senza sordino“. (»One must play this whole piece [meaning «movement»] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethovens day, leaving for a rather blurry and dissonant tone.

One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethovens original direction.

#Beethoven #Piano #ClassicalMusic