Премьера!!! «Самый лучший муж» Мелодрама (2020) @Россия 1


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«Самый лучший муж» Мелодрама (2020)
У Любы (Евгения Туркова) в жизни есть все: любимая работа на ферме, учеба в Московской сельскохозяйственной академии, любящая тетя Ира (Надежда Маркина), заменившая ей мать, а еще красота и сильный характер. Нет только одного — любви. Подруги давно повыходили замуж, нарожали детей, а Люба все еще ждет его — того самого, от кого сердце екнет в груди и за кем она захочет отправиться на край света.

Деревенские парни давно отчаялись завоевать неприступную девушку. Все, кроме избалованного мажора Лени Куркулева (Дмитрий Бурукин). Тетя Ира задолжала его отцу (Андрей Бутин) крупную сумму, и расплатой за долг может стать ее племянница…

В Москве Люба знакомится с Павлом (Дмитрий Ратомский). Мужественный, немногословный мужчина восхищает ее и притягивает, как магнит. Он представляется бывшим военным, отслужившим в горячих точках. Люба влюбляется без памяти, но в глубине души чувствует

Фитнес тренировка с гантелями на все тело #BodySculpt


В этом выпуске фитнес тренировка с гантелями для проработки всего тела. Этот комплекс для легкого — среднего уровня подготовки спортсменов

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Ссылка на это видео: youtu.be/yMhXmQ1XN-M

Joker - Rock


Joker Guitar Tutorial

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Evil Morty Theme (For the Damaged Coda)
youtu.be/962dTrZzFGU

deadman 死人 — Omae Wa Mou (Already Dead)
youtu.be/Or2wPNUMt80

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Song: Rock

Mike The Mechanics - The Living Years (Official Video)


Official video for «The Living Years» by Mike Mechanics. Released in 1989, this single reached number 1 in Australia, Canada, Ireland and the US, while it was number 2 in the UK, where it went Silver.

The song has been covered many times including interpretations by Alabama, Chris De Burgh, West End theatre star Michael Ball, Marcia Hines, Engelbert Humperdinck, James Last, The London Symphony Orchestra, Christian artist Russ Lee, Rhydian, John Tesh, Russell Watson, the London Community Gospel Choir, the Newsboys, The Isaacs, The Katinas, Japanese singer Kaho Shimada, Italian band Dik Dik and Michael English.

In 1996 the legendary songwriter Burt Bacharach declared «The Living Years is one of the finest lyrics of the last 10 years.» It was nominated for 4 Grammy awards in 1990 and won the prestigious Ivor Novello award for Best Song Musically

Youre It - Alan Watts


An inspiring and profound speech from the late Alan Watts.
Speech extract from «Zen Bones and Tales» by Alan Watts, courtesy of alanwatts.org

Music Used:
Max Ritcher — EMBERS
www.youtube.com/watch?v=84yBioZZwf4

Footage used:

-«SAMSARA»
barakasamsara.com/
-«EARTH»
www.imdb.com/title/tt0393597/
-«STARDUST»
vimeo.com/58626695
-«BARAKA»
barakasamsara.com/
-«HD AURORA — BREATHTAKING»
-«NYC — MINDRELIC TIMELAPSE»
Credit to Josh Owens:
www.youtube.com/watch?v=S9in-BscH5M

Edited by TragedyandHope:

Relaxation | Beautiful Chill Mix


enjoy a beautiful chill music…
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Tracklist • • •

00:00:00 • AK — Pulses
00:04:07 • Pensees — Monotone
00:08:09 • Tobias Svensson — Aerials
00:12:34 • Trastler x Undine — Scraps of Memory
00:16:25 • Alyas — Daydream
00:21:16 • Pevanni — Rudeneja
00:23:44 • BLUM — Evening
00:27:09 • Giuliano Poles — Seduced
00:29:57 • Aurora Night — Moon
00:32:46 • Geoffrey Keith — Wings
00:38:02 • Dark Life Note — Silence Fell Briefly
00:44:01 • Phelian — Withering Flower
00:47:48 • Ayan Das — Running Around
00:50:00 • BLUM — Morning
00:53:02 • Poolz — Beside Me
00:55:29 • Fabbro — Time To Rest
00:59:23 • Hyphex — Fading Light

01:07:53 • Nodium — Forget
01:11:54 • BLUM — Open Eyes
••••••••••••••••••••••••••••••••••••••••­­­•••••••••••••••••••••••••••••••••••
Image by — Dave Hoefler
unsplash.com/photos/U-Dhokv9iXk

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Architecture

Relaxing Christmas Piano


Beautiful instrumental Christmas music with fireplace.- Merry Christmas! Relaxing and Soothing Piano Music with Fireplace crackling fire sounds for studying, sleeping, relaxing…

Be sure to visit and subscribe to ChonoLight: www.youtube.com/c/chonolight

© Copyright:
Music arranged and performed by ChonoLight
Footage licensed from ChonoLight

#christmas #christmasmusic #fireplace

Erik Satie Trois Gymnopedies


* The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as an important precursor to modern ambient music — gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition.[citation needed] For instance, the first few bars of Gymnopédie No. 1 consist of an alternating progression of two major seventh chords, the first on the subdominant, G, and the second on the tonic, D.
The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece «painfully», «sadly» or «gravely».
From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Saties body of furniture music, perhaps because of John Cages interpretation of them.

* Éric Alfred Leslie Satie (pronounced: [eʁik sati]) (signed his name Erik Satie after 1884) (17 May 1866, Honfleur — 1 July 1925, Paris) was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
An eccentric, Satie was introduced as a «gymnopedist» in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a «phonometrician» (meaning «someone who measures sounds») preferring this designation to that of a «musician», after having been called «a clumsy but subtle technician» in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.