Erik Satie - Gnossiennes 1-5 (3 hour loop)

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About this video:
3 hours of Erik Saties Gnossiennes 1-5.
Check-out also the extended version of Gymnopédies 1-3: youtu.be/Y1vGBukbYAo
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About us:
We love music and our goal is to offer you minutes of focus, energy and/or relaxation through classical vibes. That Classical Vibe commits to make conscious efforts to present a variety of playlists and exquisite soundtracks of classical genre.

#classicalmusic #satie #gnossienne

CHOPIN - Nocturne Op.9 No2 (60 min) Piano Classical Music Concentration Studying Reading Background

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CHOPIN — Nocturne No 2 in E Flat Major Op 9 No 2 (60 minutes)
Performer: Frank Levy

The Nocturnes, Op. 9 are a set of three nocturnes written by Frédéric Chopin between 1830 and 1832, published that year, and dedicated to Madame Emily Chopin. The second nocturne of the work is widely regarded as Chopins most famous piece, and is regularly featured in films, television programs and video games. en.wikipedia.org/wiki/Nocturnes,_Op._9_(Chopin)

The Chopin nocturnes constitute 21 pieces for solo piano written by Frédéric Chopin between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field.

The nocturnes numbered 1 to 18 were published during his life, in twos or threes, in the order of composition. Numbers 19 and 20 were actually written first, prior to Chopins departure from Poland, but published posthumously. Number 20 was not originally entitled «nocturne» at all, but since publication in 1870 as such, is generally included with publications and recordings of the set. en.wikipedia.org/wiki/Nocturnes_(Chopin)

Soundtrack:
— The Eddy Duchin Story (1956)
— 8¨
— The Big Red One
— Blue Lagoon
— Crush
— Man Trouble
— Saturday Night Fever
— Sleep With Me
— Teachers Pet
— Waking Life
— The Loss of Sexual Innocence

— Bones (2009) In season 5 episode 3, The Plain in the Prodigy: Amish boy Levi playing his audition piece; repeats as Levis parents watch the video.

— 127 Hours (2010)[3] The scene begins some years earlier in family home with Arons younger sister rehearsing Nocturnes, Op.9, No. 2.

— After several days of being pinned by a boulder, Aron Ralston (James Franco), dehydrated, delusional, and believing he is going to die, reminisces his past to the bliss of Nocturne.

— The Raven (2012) Alice Eves character, Emily, plays Nocturnes Op. 9, No. 2, to an audience as her father converses with Inspector Fields.

— Mad Men (2013) Played on violin by Sandy in the Season 6 premiere «The Doorway»

— Bad Santa (2003) Played at the opening of the film with Billy Bob Thorntons character narrating over it.

— The Purge: Anarchy (2014) Played by a pianist at the auction.

— BioShock Infinite (2013) Played on radios throughout the Finkton Docks area of Columbia.

— Hetalia Axis Powers (2007) Played by Austria in Episode 06.

— Parasyte -the maxim- (2014-2015) Played in its entirety in episode 15 of the anime adaptation.

— Dexter (TV series) (2007) In season 2 episode 7, That Night, a Forest Grew, listened to on headphones while working out by Debra Morgan, at the suggestion of FBI Special Agent Frank Lundy.

— Hannibal (TV series) (2013) In season 1 episode 4, played while Hannibal was having dinner with Jack.

— American Horror Story: Coven (2013) In the opening of the episode «Go To Hell,» the song plays as Fiona explains to Queenie what the Seven Wonders are.

— Fallout 4 (2015) Played on the games Classical Radio station.

— The Simpsons (2014) In the Season 26 premieres Couch Gag created by Academy Award-nominated surrealist animator Don Hertzfeldt, as a deformed Homer Simpson of the year 10,535 reminisces through the millennia of how his family wasnt so deformed and could still communicate with each other, Nocturnes Op. 9, No. 2, is played in the background, when his family tried telling him that they were still a loving family and would not forget him as the millennia passed on and the series became more dependent on shock humor, non sequiturs and merchandise schilling that through time the family would become more deformed and ultimately forget him.

— Anime: Your lie in April

musique classique, klassische Musik, 古典音乐, 고전 음악, música clásica, शास्रीय संगीत, musik klasik, musica classica, クラシック音楽, klassieke muziek, klassisk musikk, música clássica, muzică clasică, классическая музыка, класична музика, klassisk musik, klasická hudba, เพลงคลาสสิค, klasik müzik, класична музика, nhạc cổ điển, موسيقى كلاسيكية

Yedi Güzel Adam Müzikleri İle Kitap Okumak

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İnstagramda bizi takip etmek isterseniz linke tıklayabilirsiniz.
www.instagram.com/baytefekkur/

Bir zamanlar Ülkemize ideolojileri ve bakış açılarıyla önderlik etmiş Cahit Zarifoğlu, Erdem Beyazıt, Akif İnan, Nuri Pakdil, Sezai Karakoç, Rasim Özdenören, Alaaddin Özdenören ve bu Yedi Güzel Adama fikir babalığı etmiş Üstad Necip Fazıl Kısaküreki dua ile anıyoruz.

Beethoven : Concerto pour piano n°3 ( Alice Sara Ott / Orchestre philharmonique de Radio France)

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#AliceSaraOtt #Piano #Concert

Alice Sara Ott interprète le Concerto pour piano et orchestre n°3 en ut mineur, op. 37, de Ludwig van Beethoven aux côtés de lOrchestre philharmonique de Radio France dirigé par Mikko Franck. Enregistré le 27 janvier 2018 à lAuditorium de la Maison de la Radio (Paris).

Le Concerto pour piano n°3 de Beethoven est créé à Vienne le 5 avril 1803, le même jour que l’oratorio Le Christ au mont des Oliviers et la Deuxième Symphonie. Ecrit en ut mineur, tonalité chère à son compositeur, il se découpe en trois mouvements. L’Allegro con brio s’ouvre sur une longue page orchestrale avec l’exposition des deux thèmes principaux, ensuite repris par le pianiste. Au cours du développement, un dialogue s’établit entre soliste et orchestre. Le mouvement s’achève par une cadence au piano, inspirée du premier thème.

Au cœur du Largo, les arpèges du piano soutiennent le chant entonné conjointement par la flûte et le basson, empreint de sérénité. Gérard Condé suggère une « transposition musicale de la scène du balcon de Roméo et Juliette ». Enfin, dans le Rondo, orchestre et soliste conversent avec vigueur.
« Il s’agit à coup sûr du premier «grand» concerto beethovénien […], marquant un progrès très sensible dans l’équilibre entre soliste et orchestre, enfin traités en véritables partenaires », remarque François-René Tranchefort.

00:00 — Début du concert
02:14 — 1er mouvement: Allegro con brio
19:35 — 2ème mouvement: Largo
29:19 — 3ème mouvement: Rondo
42:50 — Bis: Für Elise

#AliceSaraOtt #Beethoven #OrchestrePhilharmoniqueDeRadioFrance

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Beethoven - Moonlight Sonata - 2 Hours Version

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